The women of the Renaissance : $b A study of feminismMaulde-La-Clavière, R. de (René)
History
The women of the Renaissance : $b A study of feminism
Maulde-La-Clavière, R. de (René)
Feminism -- France -- History; Feminism -- Italy -- History; Renaissance; Women -- History -- Renaissance, 1450-1600
Truth compels us to add, however, that, apart from this moral recipe,
another circumstance contributed to give the women greater importance in
conjugal life. In France, as in every country where men are the ruling
spirits, they were not fond of giving the girls a dowry, or at all events
they gave them the smallest possible allowance. When the girls married,
they received a sum representing in a way what would some years before
have been called their “night-cap,” but what was then styled a “chaplet
of roses,” and they renounced all claim on the inheritance. Accordingly
a rich man did not think it at all extraordinary to wed a girl without a
fortune, since that was the usual thing. Louis de la Trémoille married
Gabrielle de Bourbon on those terms. Further, there was not the same
difference between large, middling and small fortunes as there is to-day.
With an income of three or four thousand livres, equal to £3000 or £4000
to-day, a man was thought a nabob. The husband, then, brought the money,
and in addition he guaranteed a contingent jointure on his own property,
so that it was really a home of his providing that the woman entered.
A man in those days knew nothing of that pride now universally felt in
wedding a millionaire’s daughter from Cincinnati, or even from Paris.
To marry money struck people as shameful, almost infamous. A husband
supported on his wife’s income was the object of heartfelt commiseration,
and an establishment so organised seemed unworthy of the name. No
sarcasm was keen enough for the classical “son-in-law of Monsieur
Poirier,”[106] the dapper lordling, all genealogy and sport, whose sole
accomplishment is a knack of plunging deep into debt, from which his
worthy father-in-law (who made his money in treacle) toils behind the
scenes to extricate him.
Public-domain text, read in full here on John Shaqi.
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