The women of the Renaissance : $b A study of feminismMaulde-La-Clavière, R. de (René)
History
The women of the Renaissance : $b A study of feminism
Maulde-La-Clavière, R. de (René)
Feminism -- France -- History; Feminism -- Italy -- History; Renaissance; Women -- History -- Renaissance, 1450-1600
The large majority of her contemporaries would have been careful not to
imitate her, and if they resigned themselves to the chase, it was for
some good reason. Personally they went in for little else than hawking.
It was indifferent to them whether men rode out and effected more or less
slaughter; but they loved the associations of the hunt—the delightful
evenings, favourable to flirtation (when the hunters were not too hungry
or sleepy); the succeeding days of tranquillity, when the unconstraint
of country life allowed them to rise early and come down into the fresh
air without stopping to do up their hair or their complexions, but with
clear, rosy cheeks; to hurry through a hunter’s mass, and then start
gossiping in the shade on the respective merits of dogs and birds until
it was time for breakfast. In short, to platonist ladies, the less
hunting there was, the more genuine and admirable the chase appeared. If
men absolutely insisted on spilling blood, why not get it over quickly?
Why not fill their parks with tame stags and one fine morning go out and
massacre a few? But for pity’s sake let there be no more talk of their
Red Indian stratagems, or of competing in instinct with the animals!
“Tell me,” cries Margaret of France, “is the capture of a stag fit work
for a prince?”—he might as well turn mason or hind!
They came to the conclusion that, if they did not wish to live in the
kennel, there was nothing for it but to give up hunting, and this was
more logical than Budé’s or Blando’s attempt to imbue huntsmen with lofty
and fantastic ideas which would never make a good sportsman.
Like all human things, the charming theories we have just indicated
had their dark side. The habit of suppressing nature, of making her
all grace and attractiveness, of embellishing and transfiguring her,
is pretty sure to lead to the loss of any real knowledge of nature. A
landscape is transformed into a drawing-room. Lemaire de Belges and
others discourse to us of nothing but branches gently swaying, rustling
leaflets, the waning autumn, huts in which mock shepherds in sham
goat-skins listen to the moaning of the winter wind with a ravishment
which it is difficult not to fancy humbug too. If only this mawkish
sentimentality always led to the ideal! But no; the coy Phillises sport
their demure little tricks at all hours but the lover’s hour, when
perhaps they would not be out of place.
Public-domain text, read in full here on John Shaqi.
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