The women of the Renaissance : $b A study of feminismMaulde-La-Clavière, R. de (René)
History
The women of the Renaissance : $b A study of feminism
Maulde-La-Clavière, R. de (René)
Feminism -- France -- History; Feminism -- Italy -- History; Renaissance; Women -- History -- Renaissance, 1450-1600
This was the goal, the sanctuary of happiness, nay, bliss itself. All
that we have hitherto spoken of led up to this all-engrossing object, for
love was the supreme end, and speech is the vehicle of love. A circle
of men about a lady, and she talking or making them talk,—this was the
supreme and final formula of life.
Conversation, then, was the great art of the platonists, infinitely
greater than painting or sculpture, greater than music, poetry or
oratory, because it alone established real communication between soul
and soul, it alone was privileged to body forth a whole realm of
unexpressed emotions which would freeze at the end of a pen or pencil,
and which music itself would render but ill. Words that well up with the
eloquence of spontaneity possess an indescribable vital force impossible
to analyse; innumerable details contribute to it—the inflection of the
voice, the gesture, the expression of the eyes, the movement of the lips,
the play of all the features. A mineral water taken at its source has, as
every one knows, singular virtues which are impoverished if it is carried
to a distance, and which the most skilful chemist cannot restore. So also
the fount of human intelligence must be drunk at its source. If need be,
it is well worth a journey.
Without women there would be no conversation. For a man who thinks he
can converse without wearing the feminine yoke there is nothing but to
go off by himself like Cardan, that intolerable chatterbox, who, though
the author of two hundred and fifty-five volumes, had the audacity to
publish a book _In Praise of Silence_. “Never,” he exclaims, “am I more
truly with those I love than when I am alone.” Our opinion would rather
coincide with that of the amiable emigré whom his friends urged to marry
the object of his passion, and who answered, “But then, where should I
spend my evenings?” To draw a man out and show him what he is capable
of, it is necessary for a woman to throw out the bait; an ambition to
please, an instinct of sympathy, a thousand fleeting intangible nothings,
veritable microbes of sentiment, will do the rest. But we do not hesitate
to add that, without men, women would hardly know how to talk. Men have
often inveighed against the loquacity,[253] the backbiting,[254] the
imprudence, the frivolity, the paltry and scandalmongering spirit of
the rudimentary and inartistic conversations that women engage in when
left to themselves; this kind of conversation can no more be called
conversation than certain intrigues can be called love, or than daubing a
house front can be called painting a picture.
Public-domain text, read in full here on John Shaqi.
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