The women of the Renaissance : $b A study of feminismMaulde-La-Clavière, R. de (René)
History
The women of the Renaissance : $b A study of feminism
Maulde-La-Clavière, R. de (René)
Feminism -- France -- History; Feminism -- Italy -- History; Renaissance; Women -- History -- Renaissance, 1450-1600
It was universally agreed that no idea could be more absurd, less
practical, more detestable, more immoral even. Marriage was a
transaction, an ‘establishment,’ a business partnership, a grave material
union of interests, rank, and social responsibilities, sanctified by
the close personal association of the partners. To insinuate an idea of
pleasure was to rob it of its noble and honourable character, and to
drag it down into the mire of sensuality. To mingle with it a physical
suggestion was to degrade it; to mingle with it love, the absolute, great
enthusiasms of heart or intellect, was to lay up for oneself disasters,
or at least certain disappointment. “Love-matches turn out badly quite
as often as arranged marriages.” A romance lasts a week, the reality
for a lifetime. No passion can survive the humdrum, the monotony, the
deadweight of matrimonial experience: and what marriage can hold out
against passion? Heart freedom, the storms, raptures, revulsions to be
anticipated on all sides—what amalgamation is possible between these and
the peaceful domestic life which is looked-to to furnish forth a very
solid, united, and well-ordered existence? A certain equality is the
rule of passion: what it demands is a perfect union between two persons
who are mutually attracted and whom there is nothing to keep apart.
What would become of married life under these conditions, without some
directing authority, without one to give law to the other? In regard to
marriage, the time-honoured principle, rigorous though protective, was
this: the husband ought always to take the helm, imbecile, madman or rake
though he be: woman is born to obey, man to command.
Wedlock then is good solid household bread, not by any means cakes and
ale. It is the modest squat suburban villa in which you eat and sleep:
passion is a church-spire piercing the sky—the spire we see high above
our smoky roofs, whence on Sundays and festivals our ears are greeted
with the sound of bells.
To try to import passion into marriage is like trying to pack a cathedral
into one’s bedroom.
And so marriage is to retain its actual character as a simple, natural
function of the physical life, like eating and drinking: the husband a
domestic animal, presented to the woman by the usages of society, the
accident of birth, and the terms of the bargain. There is no reason for
choosing him except in so far as he fulfils these conditions. Do women
choose their family affections? Do they select their father, brother,
relatives? The husband also is a relative, a partner, to whom every
possible duty is owing except that of love. The woman’s duty to him is to
keep house for him, present him with children, nurse him in sickness, and
regard his liberty as sacred.
Public-domain text, read in full here on John Shaqi.
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