The women of the Renaissance : $b A study of feminismMaulde-La-Clavière, R. de (René)
History
The women of the Renaissance : $b A study of feminism
Maulde-La-Clavière, R. de (René)
Feminism -- France -- History; Feminism -- Italy -- History; Renaissance; Women -- History -- Renaissance, 1450-1600
The worst feature of this business of matrimony was that it was so
entirely at the mercy of chance, which made almost a lottery of it,
and it would have been much more ridiculous for a man than for a woman
to yield to a childish infatuation. The man knew nothing of the girl
he was espousing, either physically or morally. He merely assumed some
likelihood of her resembling her parents, with the result that he devoted
special attention to his prospective mother-in-law; she was the woman
he was wedding. A young woman without relatives to serve as samples and
guarantees was at a discount in the matrimonial market. At the best,
it is always a leap in the dark, something like a step into death; it
is the burial of the past, the first sacrifice of one’s life for the
preservation of the race; the Stoic, says Cardan, knows whereabouts he
is at his marriage and his death. A man’s best course is to take comfort
beforehand, to fix his eyes on the object he aims at, to reflect that the
reason, the mind has no great part in it, and that children are not the
offspring of a woman’s brain.
Moralists had put themselves to much trouble to cheer men along this
difficult road, and to provide them with a series of test questions as an
aid to matrimony. They assured a man that he might be quite easy in mind
if he simply verified eight particulars in regard to the girl he proposed
to marry: physically, her age, health, maternal aptitudes, beauty;
generally, her intelligence, education, family, and dower. Unhappily,
this verification was not easy.
Physically, he could verify nothing but the young lady’s age; for the
rest, the physicians advised him to look to her figure and in general
to choose the best-grown girl; but no one can fail to see how vague
and fallacious was any presumption based on that! True, there were the
attractions of her features to judge by; but those were precisely what
the same moralists urged him to distrust: a serious man, they said, would
never build on that sand. In married life striking beauty is apt to pall,
you come to loathe it, and a pretty woman is rarely clever enough to
bring grist to her husband’s mill—except maybe in trade, when she serves
as a signboard or a trade-mark. Sensible men preferred plainness; it was
only widowers or wealthy dotards who gave themselves as a last resource
the luxury of marrying a pretty woman. Poor souls! they would do better
to think of their rheumatism, their indigestion, the dreadful draughts!
Such a match was that of Madame Dixhomme, a very sprightly young woman
well known in society, who bore the name of an old husband, a shining
light of the Parisian bar, who might have been her father! There is no
help for it. These good patriarchs will listen to no advice, and always
count on coming off well. The world is content to smile, and to look on
their attitude as courageous, not to say heroic.[30]
Public-domain text, read in full here on John Shaqi.
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