“Our clothes we brought with us are apt to be torn, They need to be clouted soon after they are worn, But clouting our garments they hinder us nothing, Clouts _double_ are warmer than _single_ whole clothing. “If fresh meate be wanted to fill up our dish, We have carrots and turnips whenever we wish, And if we’ve a mind for a delicate dish, We go to the clam-bank and there we catch fish. “For pottage and puddings and custards and pies, Our pumpkins and parsnips are common supplies! We have pumpkin at morning and pumpkin at noon, If it was not for pumpkin we should be undoon.”[24] What did these Pilgrim women wear? The manifest answer is,—what they had in stock. No more absurd idea was ever invented than the picture of these Pilgrims “in uniform,” gray gowns with dainty white collars and cuffs, with stiff caps and dark capes. They wore the typical garments of the period for men and women in England. There is no evidence that they adopted, to any extent, Dutch dress, for they were proud of their English birth; they left Holland partly for fear that their young people might be educated or enticed away from English standards of conduct.[25] Mrs. Alice Morse Earle has emphasized wisely[26] that the “sad-colored” gowns and coats mentioned in wills were not “dismal”; the list of colors so described in England included (1638) “russet, purple, green, tawny, deere colour, orange colour, buffs and scarlet.” The men wore doublets and jerkins of browns and greens, and cloaks with red and purple linings. The women wore full skirts of say, paduasoy or silk of varied colors, long, pointed stomachers,—often with bright tone,—full, sometimes puffed or slashed sleeves, and lace collars or “whisks” resting upon the shoulders. Sometimes the gowns were plaited or silk-laced; they often opened in front showing petticoats that were quilted or embroidered in brighter colours. Broadcloth gowns of russet tones were worn by those who could not afford silks and satins; sometimes women wore doublets and jerkins of black and browns. For dress occasions the men wore black velvet jerkins with white ruffs, like those in the authentic portrait of Edward Winslow. Velvet and quilted hoods of all colors and sometimes caps, flat on the head and meeting below the chin with fullness, are shown in existent portraits of English women and early colonists.