Old Buxton Meeting-House is in Maine, and it is in Maine, in the village of Hollis, that the people of whom Mrs. Wiggin writes grow into being. Her home is called Quillcote and from a cool green study where she works she can hear the song of the Saco River and look through latticed windows by her desk to where the shining weather-vane, a golden quill, swings on the roof of the old barn. It is a quaint and ancient dwelling of colonial date and colonial style set among arching elms. The village is not a summer resort but a dreaming settlement on the banks of the Saco. As it flows past the Quillcote elms the river widens into a lake. A few rods below the house it has a fall. Below the fall for a mile or so there is “foaming, curving, prancing white water.” It is the Saco, placid and turbulent, which runs through _Timothy’s Quest_ and _Rebecca_ and _Rose o’ the River_. Quillcote’s important structure, like the home of H. G. Wells’s Mr. Britling, is the barn. We can believe that the builder would not recognize it, aside from the weather-vane. It is what, in the jargon of the day, is known as a “community center.” Years ago all the interior was ripped out. A new floor was laid, casement windows were cut in and the place took on the semblance of a rustic hall. Alone untampered with, the great century-old rafters, hewn of stout-hearted oak and strong as ever, remain in position. The barn walls were brushed down but left their hue of tawny brown. Other old barns were stripped to supply fish-hook hinges, suitably antique; ancient latches, decorative horns of the moose. Solid settles were constructed of old boards weathered to a silver gray. Old lanterns fitted with candles were hung from harness pegs about the walls. The old grain-chest, piled high with cushions, stands at one end of the big oblong room. “Wide doors open at the back into a field of buttercups and daisies.” They still dance the square dances on the threshing floor. Biography is pointless if it does not build us a picture; and once we have our picture who cares for dates and a chronicle of the years? In the girl in New England, the young woman kindergartner in San Francisco, the visitor to Ireland (and England and Scotland), the writer reading from her manuscript in Old Buxton Meeting-House, the festival-bringer of the Quillcote barn you have Kate Douglas Wiggin, born a Smith; you have very completely and with a delightful authenticity the creator of all those hosts of happy children, children sometimes sad, sometimes grieved but always as certain of happiness as they are of sunshine;--you have the Penelope who found the humors of foreign travel which more pretentious humorists coming later could merely copy; you have the perceptive and sympathetic heart which saw the Christmas romance of _The Old Peabody Pew_. You ask no more. You ask only to be allowed to recall with a changing but invariable pleasure the dozens of tales in which she has shared with you her feelings about life.