The Women Who Make Our NovelsOverton, Grant M. (Grant Martin)
General
The Women Who Make Our Novels
Overton, Grant M. (Grant Martin)
Novelists, American -- Biography; Women novelists, American -- Biography
It is the very question Mary Johnston herself has been asking these
twenty years, ever since _Prisoners of Hope_ announced to the world the
advent of a new American writer, a woman, to whom it would be necessary
to pay respectful attention, to whom it would be wise to give that
special admiration reserved for the artist regardless of sex or
nativity. Everybody really does belong in a book, especially Mary
Johnston in a book upon American women novelists! Prepare, then, for a
discursive chapter. Prepare to consider literary genius. Miss Johnston
has something, or several things, which no amount of analysis can
entirely label and no consideration of circumstances wholly account for.
She is the most dramatic of American women writers. Do you remember the
ending of the first chapter of _To Have and To Hold_? A shipload of
maidens, “fair and chaste, but meanly born,” has arrived at Jamestown,
Virginia, in the early days of that settlement. A friend traveling by
has told Ralph Percy about it and counseled him to go to town and get
him a wife. Percy rejects the idea, but his friend passing on he finds
himself alone and lonely in a cheerless house. He tries to read Master
Shakespeare’s plays and cannot. Idly he begins dicing. His mind goes
back to the English manorhouse that had been his home.
“To-morrow would be my thirty-sixth birthday. All the numbers that I
cast were high. ‘If I throw ambs-ace,’ I said, with a smile for my own
caprice, ‘curse me if I do not take Rolfe’s advice!’
“I shook the box and clapped it down upon the table, then lifted it, and
stared with a lengthening face at what it had hidden; which done, I
diced no more, but put out my lights and went soberly to bed.”
Still more dramatic because it makes a greater demand upon the reader’s
imagination, requiring him to picture for himself the ceaseless
self-torture of a murderer, is the ending of _Lewis Rand_. Rand has
killed Ludwell Cary and has not been found out. At length he walks into
the sheriff’s office. When the news gets abroad “the boy who minded the
sheriff’s door found himself a hero, and the words treasured that fell
from his tongue.” The last words of the book are as follows:
“‘Fairfax Cary [brother of the slain man] was in the court room
yesterday when he [Rand] was committed. He [Fairfax Cary] and Lewis Rand
spoke to each other, but no one heard what they said.’
“The boy came to the front again. ‘I didn’t hear much that morning
before Mr. Garrett [the sheriff] sent me away, but I heard why he [Rand]
gave himself up. I thought it wasn’t much of a reason----’
“The crowd pressed closer, ‘What was it, Michael, what was it?’
“‘It sounds foolish,’ answered the boy, ‘but I’ve got it right. He said
he must have sleep.’”
The funeral of Stonewall Jackson in the last pages of _The Long Roll_:
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account