The Women Who Make Our NovelsOverton, Grant M. (Grant Martin)
General
The Women Who Make Our Novels
Overton, Grant M. (Grant Martin)
Novelists, American -- Biography; Women novelists, American -- Biography
“Beneath arching trees, by houses of mellow red brick, houses of pale
gray stucco, by old porches and ironwork balconies, by wistaria and
climbing roses and magnolias with white chalices, the long procession
bore Stonewall Jackson. By St. Paul’s they bore him, by Washington and
the great bronze men in his company, by Jefferson and Marshall, by Henry
and Mason, by Lewis and Nelson. They bore him over the greensward to the
Capitol steps, and there the hearse stopped. Six generals lifted the
coffin, Longstreet going before. The bells tolled and the Dead March
rang, and all the people on the green slopes of the historic place
uncovered their heads and wept. The coffin, high-borne, passed upward
and between the great, white, Doric columns. It passed into the Capitol
and into the Hall of the Lower House. Here it rested before the
Speaker’s Chair.
“All day Stonewall Jackson lay in state. Twenty thousand people, from
the President of the Confederacy to the last poor wounded soldier who
could creep hither, passed before the bier, looked upon the calm face,
the flag-enshrouded form, lying among lilies before the Speaker’s Chair,
in the Virginia Hall of Delegates, in the Capitol of the Confederacy.
All day the bells tolled, all day the minute guns were fired.
“A man of the Stonewall Brigade, pausing his moment before the dead
leader, first bent, then lifted his head. He was a scout, a blonde
soldier, tall and strong, with a quiet, studious face and sea-blue eyes.
He looked now at the vaulted roof as though he saw instead the sky. He
spoke in a controlled, determined voice. ‘What Stonewall Jackson always
said was just this: “_Press forward!_”’ He passed on.
“Presently in line came a private soldier of A. P. Hill’s, a young man
like a beautiful athlete from a frieze, an athlete who was also a
philosopher. ‘Hail, great man of the past!’ he said. ‘If to-day you
consort with Cæsar, tell him we still make war.’ He, too, went on.
“Others passed, and then there came an artilleryman, a gunner of the
Horse Artillery. Gray-eyed, broad-browed, he stood his moment and gazed
upon the dead soldier among the lilies. ‘Hooker yet upon the
Rappahannock,’ he said. ‘We must have him across the Potomac, and we
must ourselves invade Pennsylvania.’”
So ends the book with a dramatic height which it is not in human power
to surpass because it ends nothing. We forget rather frequently that it
is of the essence of drama that _things go on_. A play or a book which
leaves us with the sense of utter completion, with the feeling that
nothing more happens or can happen, falls short of the highest dramatic
effect which is that of continuity of life and action, with various
events--bitter, happy, tragic and glorious--marking so many stages of an
unending record. The last words of _The Long Roll_ are worthy of the
greatest of Miss Johnston’s tales.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account