The Wonder Book of Knowledge: The Marvels of Modern Industry and Invention, the Interesting Stories of Common Things, the Mysterious Processes of Nature Simply Explained
History
The Wonder Book of Knowledge: The Marvels of Modern Industry and Invention, the Interesting Stories of Common Things, the Mysterious Processes of Nature Simply Explained
Industrial arts -- History
In 1885 Chichester A. Bell (cousin of Alexander Graham Bell, of
telephone fame) and Charles Sumner Tainter invented the “graphophone.”
This was the first practical and commercially usable talking machine.
The experiments and discoveries resulting in the production of the Bell
and Tainter graphophone were made in the laboratories of Alexander
Graham Bell, near Washington, D. C., and the latter assisted and advised
with the inventors, and on his own behalf conducted experiments which
were productive of highly important results in the art of recording and
reproducing sound.
The Bell and Tainter patent was granted in 1886, and although the
subject of much controversy, it has been repeatedly sustained by the
United States courts, and in one case (87 F. R. 873) Judge Shipman had
to consider all that other inventors had done or attempted to do, and he
there decided that Bell and Tainter were the first to make “an actual
living invention which the public was able to use.”
[Illustration: OSCAR SEAGLE, THE WELL-KNOWN SOLOIST, RECORDING
The artist stands before the horn and his every note is recorded with a
fidelity startling in the extreme.]
This method covered “a method of engraving records of sound, producing
records of sound by engraving in a wax-like material which would permit
of the handling, using and transporting of the record.” Another United
States patent, covering a method of duplicating or copying sound
records, was granted to Charles Sumner Tainter in 1886.
[Illustration: THE MACDONALD GRAPHOPHONE GRAND]
Of course the talking machine of to-day is a long way removed from the
early Edison and the early Bell and Tainter machines, because many
master minds have been working on the problem of developing and maturing
the art of sound recording and reproducing, and in perfecting machines
to be used in reproducing the sound records after they have been made.
Disk records have taken the place of the old-style cylinder records, the
latter being confined for the most part to dictating machines for office
use, as the Dictaphone, which has largely displaced the shorthand writer
in many business houses.
[Illustration: IN BAND AND ORCHESTRA RECORDING EACH INSTRUMENT IS AT A
DIFFERENT ELEVATION]
[Illustration: LEOPOLD GODOWSKY, ONE OF THE WORLD’S GREATEST PIANISTS,
MAKING A RECORD
The bell at the left is rung to advise the artist that the recorder is
ready and the flashing of the light at the right is the signal to begin
playing.]
Since the original Thomas A. Edison patents and the Bell and Tainter
patent there have been many thousands granted, but only a few need be
referred to as constituting the milestones in the evolution and
development of the art and industry.
Public-domain text, read in full here on John Shaqi.
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