Angels -- Fiction; England -- Social life and customs -- 19th century -- Fiction; Fantasy fiction
"But why does everyone--everything--want to give pain?" asked the Angel.
"It is not so in the Angelic Land?" said the Vicar.
"No," said the Angel. "Why is it so here?"
The Vicar wiped his lips with his napkin slowly. "It _is_ so," he said.
"Pain," said he still more slowly, "is the warp and the woof of this
life. Do you know," he said, after a pause, "it is almost impossible for
me to imagine ... a world without pain.... And yet, as you played this
morning----
"But this world is different. It is the very reverse of an Angelic
world. Indeed, a number of people--excellent religious people--have been
so impressed by the universality of pain that they think, after death,
things will be even worse for a great many of us. It seems to me an
excessive view. But it's a deep question. Almost beyond one's power of
discussion----"
And incontinently the Vicar plumped into an impromptu dissertation upon
"Necessity," how things were so because they were so, how one _had_ to
do this and that. "Even our food," said the Vicar. "What?" said the
Angel. "Is not obtained without inflicting Pain," said the Vicar.
The Angel's face went so white that the Vicar checked himself suddenly.
Or he was just on the very verge of a concise explanation of the
antecedents of a leg of lamb. There was a pause.
"By-the-bye," said the Angel, suddenly. "Have you been pithed? Like the
common people."
THE ANGEL'S DEBUT.
XXXIV.
When Lady Hammergallow made up her mind, things happened as she
resolved. And though the Vicar made a spasmodic protest, she carried out
her purpose and got audience, Angel, and violin together, at
Siddermorton House before the week was out. "A genius the Vicar has
discovered," she said; so with eminent foresight putting any possibility
of blame for a failure on the Vicar's shoulders. "The dear Vicar tells
me," she would say, and proceed to marvellous anecdotes of the Angel's
cleverness with his instrument. But she was quite in love with her
idea--she had always had a secret desire to play the patroness to
obscure talent. Hitherto it had not turned out to be talent when it came
to the test.
"It would be such a good thing for him," she said. "His hair is long
already, and with that high colour he would be beautiful, simply
beautiful on a platform. The Vicar's clothes fitting him so badly makes
him look quite like a fashionable pianist already. And the scandal of
his birth--not told, of course, but whispered--would be--quite an
Inducement----when he gets to London, that is."
Public-domain text, read in full here on John Shaqi.
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