The crystalline lens through which all the rays pass before they reach
the retina, possesses the marvellous power of being able to modify its
curvature in such a manner as to adapt itself to the distance of the
object seen, and thus throw a distinct image on the retina. When we come
to talk of the properties of lenses, we shall see that the focus of a
lens differs for objects at different distances; if, therefore, the eye
were not provided with some such means for altering the focus of the
crystalline lens, we should only see objects distinctly at one
particular point. The crystalline lens consists of infinite numbers of
extremely thin transparent little plates, each of which is in itself
composed of fine fibres so united together as to be capable of a small
degree of compression or extension. Hence the power of the lens to alter
its form according to circumstances. It is calculated that the human eye
contains over five millions of the laminæ above referred to. With such
wonders is the world of nature replete,—wonders that we daily and hourly
pass by without examination.
It is by means of this ingenious and inimitable structure of the eye
that external objects pass from the domain of the material world into
that of the mind, and become accessible to every faculty of our brain.
Of its own accord, and without apparently any effort of our own will,
does this marvellous mechanism adapt itself to all the variations of
distance and intensity of light, a power possessed by no instrument as
yet constructed by the hand of man—being capable, as it is, of
distinguishing instantaneously between the distance of the remotest
nebulæ and that of the letters forming this page. This wonderful organ,
writes Brewster, may be considered as being the sentinel that guards the
passage between the world of matter and that of mind, and as the medium
through which they interchange all their communications. The optic nerve
perceives the objects written on the retina by the hand of nature, and
conveys them to the brain in all their integrity of form and colour.
Public-domain text, read in full here on John Shaqi.
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