Artists -- Fiction; Short stories, American; Storytelling -- Fiction
"Yes, as a boy loves; without thought--crazily--only that one idea in
his mind; ready to die for her; no sleep; sometimes a whole day without
tasting a mouthful; floating on soap-bubbles. Ah! we never love that way
but once. It was all burned out of me though, that summer. I've just
lived on ever since--painting a little, nursing these old logs,
hobnobbing with you boys; getting older--most forty now--getting
poorer."
"And did she love you, Mac?"
"Yes, same way. Only she got over it and I didn't."
"Some other fellow?"
"No, her father. Oh, there's no use going into it! But sometimes when I
do my level best and put my heart into a thing, as I have done into that
picture at the Academy, or as I poured it out to that girl in that old
garden at Lucerne, and it all comes to naught, I lose my grip for a time
and feel like putting my foot through my canvases and hiring out
somewhere for a dollar a day."
I made no comment. My long years of intimacy with my friend had taught
me never to interrupt him when he was in one of these moods, and never
to ask him any question outside the trend of his thoughts.
"Self-made, dominating man, her father; began life as a brass-moulder.
'Worked with my hands, sir,' he would tell me, holding out his stubs of
fingers. Didn't want any loafers and spongers around him. He didn't say
that to me, of course, but he did to her. The mother was different, like
the daughter; she believed in me. She believed in anything Nell liked.
Behind in her music--that's what she came to Munich for; and when she
wanted to paint, hunted me up to teach her. She was eighteen and I was
twenty-three. Well, you can fill in the rest. Every day, you know;
sometimes at my hole in the wall, sometimes at her apartment. Went on
all winter. In May he came over and wired them to meet him in Lucerne.
We tried parting; sat up half the night, we three, talking it over--the
dear mother helping. She loved us both by that time! I tried it for two
days and then locked up my place and started. That old garden was where
we met and where we continued to meet. He came down one morning to see
what we were doing; we were doing that sketch--had been doing it for two
weeks. Some days it got a brushful of paint and some days it didn't. You
know how hard you would work when the girl you loved best in the world
sat beside you looking up into your face. Sometimes the dear mother
would be with us, and sometimes she would make believe she was. In the
intervals she was working on the old gentleman, trying to break it to
him easy. 'You have worked all your life,' she would say to him, 'and
you have, outside of me, only two things left--your money and your
daughter. The money won't make her happy unless there is somebody to
share it with her. This boy loves her; he is clean'--I'm just quoting
her words, old man; I was in those days--'honest, has an honorable
profession, and will succeed the better once he has Nellie to help him
Public-domain text, read in full here on John Shaqi.
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