Cornwall (England : County) -- Fiction; Fathers and sons -- Fiction
"Ah, you must talk to father," she said. "He is always there. We are
a little old-fashioned, I'm afraid."
There was in her voice, in her smile, something that stirred him
strangely. He felt as though he had met her before--a long while ago.
He recognised little characteristics, the way that she pushed back her
hair when she was excited, the beautiful curve of her neck when she
raised her eyes to his, the rise and fall of her bosom--it was all
strangely, individually familiar, as though he had often watched her do
the same things in the same way before, in some other place....
He had forgotten the others--Clare, Robin, the Miss Ponsonbys, Mrs. le
Terry; and when they had all gone, he did not realise that he had in
any way neglected them.
After Miss Bethel had left the room, followed by the preposterous old
mother, he stood at the window watching the lights of the town shining
mistily through the black network of trees in the drive. He must meet
her again.
Clare spoke to him and he turned round. "I'm afraid you have made the
Miss Ponsonbys enemies for life," she said; "you never spoke to them
once. I warned you that they were the most important people in the
place."
"Oh! the Miss Ponsonbys!" said Harry carelessly, and Robin stood amazed.
CHAPTER III
Robin's rooms, charming as they were, with their wide windows opening
on to tossing sea and the sharp bend of the grey cliffs stretching to
distant horizons, suffered from overcrowding.
His sitting-room, with its dark red wallpaper and several good prints
framed in dark oak--Burne-Jones' "Study for Cupid's Masque," Hunt's
"Hireling Shepherd," and Whistler's "Battersea Bridge" were the
best--might have been delightful had he learned to select; but at the
present stage in his development he hated rejecting anything as long as
it reached a certain standard. His appreciations were wide and
generous, and his knowledge was just now too superficial to permit of
discerning criticism. The room, again, suffered from a rather
effeminate prettiness. There were too many essentially trivial
knick-knacks--some fans, silver ornaments, a charming little ebony
clock, and a generous assortment of gay, elegantly worked cushions.
The books, too, were all in handsome editions--Meredith in green
leather with a gold-worked monogram, Pater in red half-morocco,
Swinburne in light-blue with red and gold tooling--rich and to some
extent unobtrusive, but reiterating unmistakably the first impression
that the room had given, the mark of something superficial.
Public-domain text, read in full here on John Shaqi.
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