This is description enough. The reader can easily conceive the parlour of an abbess towards the end of the fifteenth century, the heterogeneous contents of which would be somewhat tedious to detail. Let no one, however, form a false idea of the poor abbess of Atherston, from the admission into her own private chamber of such very ungodly personages as Mars and Venus. She had found them there when she became abbess of the convent, and looked upon them and their loves as upon any other piece of needlework. Nay, more, had it ever occurred to her that there was anything improper in having them there, she would probably have removed them, though to get a more decent piece of tapestry might have cost her four or five marks. Not that she was at all stiff, rigid, and severe, for she was the merriest little abbess in the world; but she combined with great gaiety of heart an infinite deal of innocence and simplicity, which were perfectly compatible with some shrewdness and good sense. Shut up in a convent at a very early period, exposed to none of the vicissitudes of life, and untaught the corrupting lessons of the world, her cheerfulness had been economised, her simplicity unimpaired, and her natural keenness of intellect unblunted, though there might be here and there a spot of rust upon the blade. It was without her own consent she had gone into a convent, but neither with nor against her wishes. She had been quite indifferent; and, never having had any means of judging of other states of life, she was not discontented with her lot, and rather pitied than otherwise those who were forced to dwell in a world of which she knew nothing.