The Wooing of Calvin ParksRichards, Laura Elizabeth Howe
General
The Wooing of Calvin Parks
Richards, Laura Elizabeth Howe
Courtship -- Fiction; Maine -- Social life and customs -- Fiction; Mate selection -- Fiction
"I can s'pose things right off!" said the child. "But p'raps it's
different when you are old. Well! And s'pose she had a mother, and _she_
was a beautiful lady, and she had a velvet dress, purple, like a piece
in Aunt Susan's quilt. It's as soft as a baby, or a new kitten. And
s'pose the little girl came out into the gardin, and said, 'Mittie May,
come and play with me!' and s'pose I went, and s'pose she took me into
the house, and into a room that was all pink, with silver chairs and
sofys, and pink curtains, and a pink pianner,--"
"Belay there, young un!" said Calvin. "You're off soundin's. You don't
want the pianner should be pink. Why, 'twould be a sight!"
"_I_ think 'twould be lovely!" cried the child. "All smooth, like the
pond looks when the sun is goin' down."
Calvin shook his head gravely. "I don't go with that!" he said, "not a
mite. _I_ say, s'pose the pianner was white, with pink roses painted on
it. I see one like that once, to Savannah, Georgia, and it was handsome,
I tell ye. Make it white with pink roses, little un!"
"All right!" said the child. "And anyhow, s'pose the lady played on it,
and the little girl--" she turned suddenly shy, and hung her head.
"Will you laugh if I say her name?" she asked wistfully.
"Laugh!" said Calvin. "Do I look like laughin', young un? nor yet I
don't feel like it. What is her name?"
"S'pose it's Clementina Loverina Beauty! I made up the middle one
myself. S'pose she asked me to dance, and we danced, and the floor was
pink marble, and we had gold slippers on, and my hair grew down to my
feet too, and--and--and then s'pose we was hungry, and Clementina
Loverina Beauty waved her hand, and a table come up through the floor
with roast chicken on it, and cramb'ry sauce, and grapes, and icecream
and cake, and--and we eat all we could hold, and then we went to sleep
in a gold bed with silk sheets. There! now it's your turn."
"My turn?" said Calvin vaguely.
"Yes! your turn to s'pose. What do you s'pose, about this place?"
"Oh! this place. Well, now you're talkin'. Only I don't know as I can
play this game as pretty as you do, Mittie May. I don't believe I can
git you up any white marble buildin's, nor gold floors, nor that kind of
thing. 'Tain't my line, you see."
"Why not?" asked the child. "Because you are a brown man can't you?"
Calvin nodded. "I expect that's about the size of it," he said gravely.
"I'm a brown man. Yes, little un, you surely hit it off that time. And
bein' a brown man, it stands to reason that I can't s'pose nothin'
risin' out of that hole but a brown house. S'pose it's there now, what?
a long brown house, facin' south, see? This is the way it lays. Over
this main sullar is the kitchen--big kitchen it is, with lots of
winders, and all of 'em sunny, some ways of it; I dono just how they can
be, but so they seem. Flowers in 'em, too; sweet--I tell ye; and then
the settin'-room openin' out of it."
Public-domain text, read in full here on John Shaqi.
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