I soon began to take long automobile rides. Our walks in the forest
had become silent and dull. Perhaps I was unknowingly kinder in not
accompanying her to the places where our love had blossomed.
* * *
At the Sleeping Woods she wore “little dresses,” as Pierre Ducal
would have called them. She generally selected white, which was most
becoming to her. Her taste in clothes, although simple and inexpensive,
was exquisite, though my ultra-fashionable ideas would have dictated
more elaborate gowns. After all, the test of good taste is in being
fittingly attired, and she understood it better than I.
* * *
One day, as I was returning from a long ride, I met her on the road. It
was early morning, when one’s age cannot be successfully hidden. That
is why age scarcely exists in large cities, since the season and hours
of our life are not clearly defined there.
“Where are you going?” I asked, struck anew by her youthful beauty.
My sudden interest surprised her, but she did not know that it was
prompted by appreciation of her appearance rather than real interest in
her destination.
“I am going to take this package to Fannette,” she replied, blushing
with pleasure.
“The peasant with the chapped hands?” I asked, astonished at my own
recollection.
“Yes. She is very ill; I have some medicine for her.”
“Would you care to have me go with you?”
“Indeed I should,” she answered eagerly.
How very gently she spoke to me!
On our way home, she suggested that we take a longer but less sunny
road. I reluctantly agreed, having already regretted my condescension
in going so far with her.
“We’ll take your path,” I said, “we will go more rapidly.”
A long silence followed my remark, silence difficult to break after it
had lasted some time.
We walked on, not exchanging a word, and came to a little house in
the woods, the home of a peasant and his family. At the door stood a
young woman on whose face shone the happiness of motherhood. In her
arms she carried a blond rosy cherub, about her were two, three, four,
five little tots, rising like steps, each one just a head taller than
his next younger brother or sister. The whole family was watching and
pointing, and we heard their loud exclamation and outburst of happy
laughter, as a man with his scythe over his shoulder came down the path
toward me. When he neared the little group, he waved and called out
his greeting, with a voice that sounded like a deep-toned bell. He had
been harvesting, and the honest sweat of hard toil trickled down his
cheeks, but he forgot his tiring labour in the joy of home-coming, in
his return as father of a family to his mid-day meal.
Raymonde stopped a moment.
“Look,” she said to me.
The radiant faces and the evident contentment were indeed a perfect
picture of rustic life and the happiness of simplicity.
“Yes,” I replied, “the scene recalls a Dutch masterpiece. But see how
many children there are.”
Public-domain text, read in full here on John Shaqi.
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