“If you don’t believe me,” he said again, “you can throw it out the
open window. I know what I wish to do, and nothing will hinder me from
doing it.”
Convinced then, I put the revolver back where I had taken it, and
apologised, a little ashamed of my interference and ready to retire.
But he stopped me.
“No, stay, I beg of you,” he said. “I have not yet decided. That can
happen any minute.”
So I had not deceived myself about his determination after all. He
continued in a manner that was both savage and enigmatic.
“What I do not want, what I will not have at any price, is to have
my inexperience or my machine blamed some day. I have already killed
that which I loved; I will not kill my work at the very moment I am
perfecting it.”
I should have regarded these words as merely incoherent if, by one
of those lucid intuitions which in exceptional circumstances guide
us like some mysterious instinct, I had not instantly connected them
with the less confused utterances of a few days before: “I used to
think that some day I would break my wings while in full flight. It
would have been a good end, and so easy. Nobody would suspect. But it
is impossible. It would mean betraying the machine, allowing a false
suspicion to rest upon it. It can play false; the man it carries--no.”
He was forearmed against death when its appeal would be most immediate,
most alluring, most caressing; the revolver was there to put an end to
the temptation if it should become irresistible. This reverence for a
sacred work, which I had not expected from Raymond Cernay, formerly so
fickle and so easily wearied, threw more light upon that which followed:
“A soldier goes on to the end.”
But the reason for it all still eluded me. Trembling under the
domination of the raging fire that he struggled to restrain within him,
he permitted himself fragmentary explanations, which the information
imparted by Mme. Mairieux prepared me to comprehend:
“I am tormented by an intolerable situation--and there is no way out. I
crush my victims under me as I go. I am about, you understand, to cause
another misfortune.”
Believing that I had divined his meaning, I challenged him brusquely to
greater frankness:
“Yes, you are divided between the old love and the new.”
He bent on me that madman’s look that no one faces willingly.
“No love will ever equal mine for Raymonde. No love will ever efface
her memory from my life.”
I ceased to understand him. After a silence which I did not disturb, he
continued:
Public-domain text, read in full here on John Shaqi.
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