The Workers: An Experiment in Reality. The WestWyckoff, Walter A. (Walter Augustus)
History
The Workers: An Experiment in Reality. The West
Wyckoff, Walter A. (Walter Augustus)
Unemployed -- United States; Working class -- United States
I follow him down a narrow passage whose faint light enters through a
stained-glass partition, which hems it in along the inner side-wall of
the building. Through a door at the end of the passage we enter a large
room brilliantly lighted, and I follow Clark to an iron stove at one
side in which a coal fire burns furiously. In the corner near us are
three men, slouching, listless, weary specimens of their kind, who are
playing “Comrades” with a gusto curiously out of keeping with their
looks of bored fatigue. One has a harp, another a violin, and the third
drums ceaselessly upon a piano of harsh, metallic tone.
[Illustration: IN THE CORNER NEAR US ARE THREE MEN, SLOUCHING,
LISTLESS, WEARY SPECIMENS OF THEIR KIND, WHO ARE PLAYING “COMRADES.”]
There are a dozen round tables in the room, and at these are seated
small groups of men and women drinking beer. Some of the men are
workmen, but most are loafers, not of the tramp but of the rough civic
type.
The women are young, most of them very young, and there is little
trace of beauty and almost none of hard brutality in any face among
them. They are simply commonplace. As a company the women lack the
hale robustness of the men. They are mostly little women, of slight
figures, and some add to this a transparency of skin and a feverish
brightness of eye which clearly mark the sure burning of consumption.
A few are cast in sturdier mould, and, with faces flushed with drink,
they look strong and healthy. All seem warmly dressed in cheap, worn
garments suited to the season, and there are many touches of finery and
some even of taste in their shabby winter hats. Each carries a leather
purse in her hand, or allows it to lie on the table before her with her
gloves. The hands of nearly all of them are bare, and you see at once
that they are large and coarse and very dirty.
Suddenly you note that the social atmosphere is one of strangest,
completest camaraderie. The conversation is the blasphemous, obscenest
gossip of degraded men that keeps the deal level of the ordinary
unrelieved by anger or by mirth, and varying only with the indifferent
interchange of men’s and women’s voices.
The naturalness and untrammelled social ease have blinded you for
a time to what you really see, and then the black reality reveals
itself in human degradation below which there is no depth--as though
lost, sexless souls were already met upon a common plane of deepest
knowledge of all evil. And yet in very truth they are living fellow
men and women, in whom have centred the strength of natural love and
hope, and centres still the constraining love of a Heavenly Father.
Clark is whispering in my ear:
“I guess we’d better get out of this. That waiter has his eye on us. In
a minute he’ll ask us for our orders.”
We pass again through the garish lights that flood the pavements before
saloons from whose inner chambers come the tinkling, brassy notes of
cheap music.
“Are they all like that place we’ve been in?” I ask.
Public-domain text, read in full here on John Shaqi.
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