The Workers: An Experiment in Reality. The WestWyckoff, Walter A. (Walter Augustus)
History
The Workers: An Experiment in Reality. The West
Wyckoff, Walter A. (Walter Augustus)
Unemployed -- United States; Working class -- United States
We walk now toward Harrison Street, and as we enter it, there shines
high from out the darkness an illumined face of a clock with its hands
pointing to a few minutes past the hour of twelve. A freight-train is
drawing slowly into the station-yard, creaking and jolting with the
varying tug of a locomotive that pants deeply to a steady pull, and
then puffs hard in sudden spurts which send its wheels “racing” on the
icy rails. The train stands still with a sound of communicated bumping
which loses itself far down the yard, and then there come swarming from
the cars a score or two of tramps who have beaten their way into the
city. They know their ground, for silent and stooping in the wet they
make straight, as with a common impulse, to the station-house on the
corner.
“We’ll leave them go in first,” says Clark, “it’s all the better for
us,” and then we walk up and down before the plain brick building, with
the lights streaming from its basement and first-floor windows.
By a short flight of steps we finally enter a small passage which
opens into a large, square room. A few police officers and reporters
are standing about in casual conversation. One officer, with unerring
judgment of our need, beckons us his way, and, without a word, he
points us down the steps into the basement. A locked door of iron
grating blocks the way at the foot of the steps, and we stand there for
some minutes while a newly arrived prisoner is being registered and
searched. Behind a high desk sits a typical, robust officer who asks
questions and notes the answers in his book, and beside him, near at
hand, a matronly woman is sewing with an air of domesticity and entire
oblivion to her unusual surroundings, while near the prisoner before
the desk, stand two policemen who have “run him in.”
All these are in a wide corridor which extends east and west through
the depth of the building. In its south wall are some half dozen doors
of iron grating, each opening into a small passage at right angles to
the main corridor, and the cells range along the sides of these.
The prisoner has soon been disposed of. The officer on duty then
unlocks the door behind which we stand, and admits us before the desk.
The registrar looks up, an expression of irritation in his face.
“More men to spend the night?” he asks.
“Well, turn in,” he adds, with a jerk of his head to the left. “I’ve
got no more room for names. I guess I’ve entered two hundred lodgers
and more already to-night.”
Clark and I need no further directions. Overflowing through the open
door of the farthest passage upon the floor of the main corridor are
the sprawling figures of men asleep. We walk in among them.
[Illustration: OVERFLOWING THROUGH THE OPEN DOOR OF THE FARTHEST
PASSAGE UPON THE FLOOR OF THE MAIN CORRIDOR ARE THE SPRAWLING FIGURES
OF MEN ASLEEP.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account