The Workingman's Paradise: An Australian Labour Novel — John Shaqi
The Workingman's Paradise: An Australian Labour NovelMiller, John
Philosophy
The Workingman's Paradise: An Australian Labour Novel
Miller, John
Australia -- Fiction; Working class -- Fiction
In the pretty sitting-room that overlooked the rippling water, Mrs.
Stratton perched on the music stool, was giving, amid many interjections,
an animated account of the opera: a dark-haired, grey-eyed, full-lipped
woman of 30 or so, with decidedly large nose and broad rounded forehead,
somewhat under the medium height apparently but pleasingly plump as her
evening dress disclosed. She talked rapidly, in a sweet expressive voice
that had a strange charm. Her audience consisted of an ugly little man,
with greyish hair, who stood at a bookcase in the corner and made his
remarks over his shoulder; a gloomy young man, who sat in a reclining
chair, with his arm hanging listlessly by his side; and a tall
dark-moustached handsome man, broadly built, who sat on the edge of a
table smoking a wooden pipe, and who, from his observations, had
evidently accompanied her home from the theatre after the second act.
There was also her husband, who leant over her, his back turned to the
others, unhooking her fur-edged opera cloak, a tall fair brown bearded
man, evidently the elder by some years, whose blue eyes were half hidden
beneath a strongly projected forehead. He fumbled with the hooks of the
cloak, passing his hands beneath it, smiling slyly at her the while. She,
flushing like a girl at the touch, talked away while pressing her knee
responsively against his. It was a little love scene being enacted of
which the others were all unconscious unless for a general impression
that this long-married couple were as foolishly in love as ever and
indulged still in all the mild raptures of lovers.
"Ever so much obliged," she said, pausing in her talk and looking at him
at last, as he drew the cloak from her shoulders.
"You should be," he responded, straightening himself out. "It's quite a
labour unhooking one of you fine ladies."
"Don't call me names, Harry, or I'll get somebody else to take it off
next time. I'm afraid it's love's labour lost. It's quite chilly, and I
think I'll wrap it round me."
"Well, if you will go about half undressed," he commented, putting the
cloak round her again.
"Half undressed! You are silly. The worst of this room is there's no fire
in it. I think one needs a fire even in summer time, when it's damp, to
take the chill off. Besides, as Nellie says, a blazing fire is the most
beautiful picture you can put in a room."
"Isn't Nellie coming to-night?" asked the man who smoked the wooden pipe.
"Why, of course, Ford. Haven't I told you she said on Thursday that she
would come and bring the wild untamed bushman with her? Nellie always
keeps her word."
"She's a wonderful girl," remarked Ford.
"Wonderful? Why wonderful is no name for it," declared Stratton, lighting
a cigar at one of the piano candles. "She is extraordinary."
"I tell Nellie, sometimes, that I shall get jealous of her, Harry gets
quite excited over her virtues, and thinks she has no faults, while poor
I am continually offending the consistencies."
Public-domain text, read in full here on John Shaqi.
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