The Works of Alexander Pope, Volume 1: Poetry - Volume 1Pope, Alexander
General
The Works of Alexander Pope, Volume 1: Poetry - Volume 1
Pope, Alexander
English poetry -- 18th century
full not only of levities, but of wrong judgments of men and books, and
only excusable from the youth and inexperience of the writer." Mrs.
Thomas did him an incalculable injury, not by revealing his secrets, but
by flattering his vanity. The favourable reception of his correspondence
originated the desire to give some further specimens to the world, and
led him into the miserable series of falsehoods and frauds by which he
endeavoured to accomplish his design without seeming to be privy to it.
The letters to Cromwell were published in Curll's "Miscellanea," of
which the title-page says "Printed in the year 1727;" but the dedication
to the letters themselves is dated June, 1726, and it was in 1726 that
they appeared. The incidental and scanty notices of them at the time are
sufficient to indicate the impression they produced. Thompson, writing
in October to Aaron Hill, says that "though careless and uncorrected,
they are full of wit and gaiety." There may have been many who thought
that they did as much credit to the heart as to the head of the poet. "I
have read the collection of letters you mention," Fenton wrote to Broome
in September, 1726, "and was delighted with nothing more than that air
of sincerity, those professions of esteem and respect, and that
deference paid to his friend's judgment in poetry which I have sometimes
seen expressed to others, and I doubt not with the same cordial
affection. If they are read in that light, they will be very
entertaining and useful in the present age; but in the next, Cicero,
Pliny, and Voiture may regain their reputation." The comments on Pope's
sincerity were plainly ironical. Fenton considered him to be extremely
hypocritical, and some person concerned in the publication of 1726 must
have formed the same opinion of his character, if the ludicrous
tail-piece is intended to be typical of the letters. A little man whose
diminutive stature did not permit him to clasp the taller figure in his
arms while they stood upon a level, is represented as having jumped off
the ground and seized his companion round the waist, who, with his hands
thrown into the air at the painful vehemence of the embrace, is
struggling to get loose. Undiscerning persons, who judged the poet by
his words, would form a different estimate, and would perceive only
proofs of his excellence where Fenton saw examples of his habitual
insincerity. "His correspondence," says Johnson, of the later collection
of 1735, "filled the nation with praises of his candour, tenderness, and
benevolence, the purity of his purposes, and the fidelity of his
friendship."[16]
Public-domain text, read in full here on John Shaqi.
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