Walsh," it was said in other copies, "died at 49 years old in the year 1708, the year after Mr. Pope writ the Essay on Criticism." In the first version it is asserted that the poem was written in 1709, or the year after Mr. Walsh died; in the second version it is asserted that it was written in 1707, and that Mr. Walsh died the year after. Such a series of conflicting statements could not all be accidental. When Pope published the quarto edition of his Letters in 1737, he again altered the note. "Mr. Walsh," he then said, "died at 49 years old, in the year 1708, the year before the Essay on Criticism was printed," which informs us of the new fact that it was printed a couple of years before it was published, and since the poet assured Spence that it was written two or three years before it was printed,[6] we have the date of its composition once more thrown back to 1707. Pope forgot the confession in the poem, ver. 735-740, that in consequence of having "lost his guide" by the death of Walsh, he was afraid to attempt ambitious themes, and selected the Essay on Criticism as a topic suited to "low numbers." However fictitious may have been the reason he assigned for the choice of his subject, he there admits that he did not form the design till after the death of his friend in March 1708. In his later statements he oscillated between the truth, and the desire to magnify the precocity of his genius. He was always ambitious of the kind of praise which Johnson bestows upon the Essay, when he calls it "the stupendous performance of a youth not yet twenty." But at whatever period the poem was first written, it did not appear till May, 1711, and represents the capacity of Pope at twenty-three. He avowedly kept his pieces long in manuscript for the purpose of maturing and polishing them, and they were as good as he could make them at the period when they finally left his hands. The Essay on Criticism was published anonymously. Warton was informed by Lewis the bookseller, that "it laid many days in his shop unnoticed and unread." Pope wrote word to Caryll, July 19, 1711, that he did not expect it would ever arrive at a second edition. Piqued, said Lewis, at the neglect, the poet one day directed copies to several great men, and among others to Lord Lansdowne, and the Duke of Buckingham. These presents caused the work to be talked about.[7] The name of the author, which soon transpired, assisted the sale, and the paper of Addison in the Spectator on December 20, 1711, brought the Essay under the notice of the entire reading world, though it was still another twelvemonth before the thousand copies were exhausted.