The Works of Alexander Pope, Volume 2 (of 10): Poetry - Volume 2 — John Shaqi
The Works of Alexander Pope, Volume 2 (of 10): Poetry - Volume 2Pope, Alexander
General
The Works of Alexander Pope, Volume 2 (of 10): Poetry - Volume 2
Pope, Alexander
English poetry -- 18th century
pleaded more plausibly for the work when he contended that wit consisted
in presenting old thoughts in a better dress, and that the "known
truths" in the poem were "placed in so beautiful a light, that they had
all the graces of novelty." The charge brought later by Pope against
Addison, of viewing him with jealous eyes, suggested to Warton his
strained imputation, which is not warranted by the expression he quotes,
and is contradicted by the genial tone of the praise. Addison at the
time had no acquaintance with Pope. The eulogy on the Essay was
spontaneous, and an envious rival would never have adopted the suicidal
device of voluntarily publishing a strong panegyric in a periodical
which every one read, and of which the decisions were accepted for law.
The truth is, that Addison, by his encomiums and authority, brought into
vogue the exaggerated estimate entertained of the Essay. The authors of
the next generation read it in their boyhood, and were taught that it
was a model of its kind. Juvenile impressions retain their hold, and
upon no other supposition could we understand the preposterous opinion
of Johnson, that the work set Pope "among the first critics and the
first poets," and that he "never afterwards excelled it." Warton
disputed the rank assigned to the poet, and assented to the claim put
forth for the critic, which was equally untenable. He was misled by his
relish for platitudes. "I propose," he said, "to make some observations
on such passages and precepts in this Essay as, on account of their
utility, novelty, or elegance, deserve particular attention," and his
opening specimen of these merits is the line,
In poets as true genius is but rare.[22]
He selected for distinction several other remarks which were not more
exquisite in their form, or recondite in their substance. Hazlitt took
up the strain of Johnson and Warton. "The Rape of the Lock," he says,
"is a double-refined essence of wit and fancy, as the Essay on Criticism
is of wit and sense. The quantity of thought and observation in this
work, for so young a man as Pope was when he wrote it, is wonderful;
unless we adopt the supposition that most men of genius spend the rest
of their lives in teaching others what they themselves have learned
under twenty. The conciseness and felicity of the expression are equally
remarkable. Thus, in reasoning on the variety of men's opinions, he
says,
'Tis with our judgments, as our watches; none
Go just alike, yet each believes his own.
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