The Works of Alexander Pope, Volume 2 (of 10): Poetry - Volume 2Pope, Alexander
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The Works of Alexander Pope, Volume 2 (of 10): Poetry - Volume 2
Pope, Alexander
English poetry -- 18th century
This Essay affords an egregious instance of the predominance of genius,
the dazzling splendour of imagery, and the seductive powers of
eloquence. Never was penury of knowledge, and vulgarity of sentiment, so
happily disguised. The reader feels his mind full, though he learns
nothing, and when he meets it in its new array, no longer knows the talk
of his mother and his nurse. When these wonder-working sounds sink into
sense, and the doctrine of the Essay, disrobed of its ornaments, is left
to the powers of its naked excellence, what shall we discover? That we
are, in comparison with our Creator, very weak and ignorant,--that we do
not uphold the chain of existence--and that we could not make one
another with more skill than we are made. We may learn yet more,--that
the arts of human life were copied from the instinctive operations of
other animals,--that if the world be made for man, it may be said that
man was made for geese.[735] To these profound principles of natural
knowledge are added some moral instructions equally new,--that self
interest, well understood, will produce social concord--that men are
mutual gainers by mutual benefits--that evil is sometimes balanced by
good--that human advantages are unstable and fallacious, of uncertain
duration and doubtful effect--that our true honour is not to have a
great part, but to act it well--that virtue only is our own--and that
happiness is always in our power. Surely a man of no very comprehensive
search may venture to say that he has heard all this before; but it was
never till now recommended by such a blaze of embellishments, or such
sweetness of melody. The vigorous contraction of some thoughts, the
luxuriant amplification of others, the incidental illustrations, and
sometimes the dignity, sometimes the softness of the verse, enchain
philosophy, suspend criticism, and oppress judgment by overpowering
pleasure. This is true of many paragraphs, yet if I had undertaken to
exemplify Pope's felicity of composition before a rigid critic, I should
not select the Essay on Man; for it contains more lines unsuccessfully
laboured, more harshness of diction, more thoughts imperfectly
expressed, more levity without elegance, and more heaviness without
strength, than will easily be found in all his other works.--JOHNSON.
Public-domain text, read in full here on John Shaqi.
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