p. 342, l. 11 _un Bacio_. 4to 1679 misprints ‘un Bacoi’. p. 332, l. 14 _you are all a little_. 1724 ‘you are a little’. p. 343, l. 2 _The Corso_. I have supplied the locale which all previous editions omit. p. 343, l. 20 _Enter Mor. and Octa_. 4to 1679 ‘Enters Mur. and Octa.’ 1724 ‘Enters Mor. and Octa.’ p. 344, l. 21--_nay, was contracted to him, fairly contracted in my own Chappel_;’ 1724 ‘--nay, was contracted to him, fairly contracted to him, fairly contracted in my own Chappel ;’. p. 345, l. 5 _This fine_. 1724 prints this speech as prose. p. 346, l. 11 _with Silvio and_. I have added these three words to the stage direction. p. 348, l. 15 _with Phillipa_. I have added an entrance for Philiipa here, although it is not marked in the former editions, as later in the scene she speaks to Cornelia, and obviously must be in attendance on her in the balcony. p. 349, l. 6 _so good_. 1724 omits these words. p. 350, l. 9 _Exit Crap_. I have added Crapine’s exit here as he re-enters anon with Octavio, and his exit is required by the business of the scene. p. 351, l. 6 _false-souled_. Both 4to 1679 and 1724 read’false souly’, which I have ventured to alter. p. 352, l. 12 _They are going_. 4to 1679 and 1724 both read ‘They go out...’, but it is obvious from Galliard and Fillamour’s conversation with Tickletext that they do not actually leave the stage, as also from the direction later ‘Offering to go.’ p. 352, l. 13 _Aside_. 4to 1679 and 1724 both read ‘Aside to Mar.’ An obvious mistake. p. 352, l. 18 _Exit_. Both 4to 1679 and 1724 have ‘Exeunt.’ We may suppose Phillipa to have entered with Marcella and the former direction to be ‘Aside to Phil.’ but it seems more in accordance with the scene to make these two slight changes. p. 354, l. 22 _Exeunt Fil. and Gal_. 4to adds ‘and Lau.’ but the 1724 ’.xit’ at the end of her next speech is obviously correct. p. 354, l. 35 _and Crapine_. I have added this entrance. 4to 1679 and 1724 omit this, but both mark his exit. p. 365, l. 7 _to steal to a Wench_. 1724 ‘to steal a Wench’. p. 363, l. 26 _’.is Love_. Both 4to 1679 and 1724 print this speech as prose. It is obviously verse. p. 365, l. 21 _Fil.--I’ve_. 4to 1679 wrongly gives this speech to Galliard. p. 369, l. 13 _Papish_. 1724 ‘Papist’. p. 372, l. 30 _Ex. Pet. with Tick_. I have added this stage direction which is unmarked in the former editions, but obviously necessary here. p. 374, l. 22 _Scene II_. I have numbered this scene. Former editions read ‘The Scene changes to...’. p. 383, l. 3 _Phil_. 4to 1679 and 1724 both wrongly give these two lines to Fillamour. p. 383, l. 15 _Exeunt_. Omitted in all former editions. p. 383, l. 17 _The Corso_. I have added the locale. p. 386, l. 19 _no Sword_. 4to 1679 and 1724 here needlessly repeat a stage direction ‘Enter Julio and Octavio fighting.’ p. 386, l. 32 _Signior, gentle Signior_. 4to 1679 reads ‘Signior, a gentle Signior’.