p. 26 _to Locket’s, where they din’d_. This fashionable Ordinary stood on the site of Drummond’s Bank, Charing Cross. It was named from Adam Locket, the landlord, who died in 1688. In 1702, however, we find an Edward Locket, probably a son, as proprietor. The reputation of the house was on the wane during the latter years of Anne, and in the reign of George I its vogue entirely ceased. There are very frequent references. In _The Country Wife_ (1675), Horner tells Pinchwife: ‘Thou art as shy of my kindness as a Lombard-street alderman of a courtier’s civility at Locket’s’ (IV, iii). In Shadwell’s _The Scowerers_ (1691), old Tope, replying to a health, cries: ‘I’ll answer you in a couple of Brimmers of Claret at Locket’s at Dinner’ (I, i). In Vanbrugh’s _The Relapse_ (1696), Lord Foppington, when asked if he dines at home, surmises: ‘’tis passible I may dine with some of aur House at Lacket’s,’ which shows that it was then the very rendezvous of fashion and quality. p. 27 _A King and no King._ Langbaine testifies to the popularity of Beaumont and Fletcher’s play both before and after the Restoration. Pepys saw it 14 March, 1661, and again, 26 September the same year. The 1676 quarto ‘as it is now acted at the Theatre Royal by his Majestie’s Servants’ gives a full cast with Hart as Arbaces; Kynaston, Tigranes; Mohun, Mardonius; Lacy, Bessus; Mrs. Betty Cox, Panthea; Mrs. Marshall, Spaconia. In the earlier production Nell Gwynne had acted Panthea. The two Companies amalgamated in 1682, opening 16 November. Hart ‘never Acted more’ after this date. Mrs. Marshall had retired in 1677; and in 1683 Betterton was playing Arbaces with quite a new allotment of the other rôles. p. 27 _The Rose._ There are repeated references to this celebrated tavern which stood in Russell Street, Covent Garden. _vide_ _The Younger Brother_, I, ii (Vol. IV), Motteux’ Song: ‘Thence to the Rose where he takes his three Flasks,’ and the note on that passage.