The Works of Charles and Mary Lamb — Volume 2: Elia and The Last Essays of EliaLamb, Charles
General
The Works of Charles and Mary Lamb — Volume 2: Elia and The Last Essays of Elia
Lamb, Charles
English essays
champêtre_, if we will but excuse the absence of the gentlemen.
This is well, and Watteauish. But what is become of the solitary
mystery--the
Daughters three,
That sing around the golden tree?
This is not the way in which Poussin would have treated this subject.
The paintings, or rather the stupendous architectural designs, of a
modern artist, have been urged as objections to the theory of our
motto. They are of a character, we confess, to stagger it. His towered
structures are of the highest order of the material sublime. Whether
they were dreams, or transcripts of some elder workmanship--Assyrian
ruins old--restored by this mighty artist, they satisfy our most
stretched and craving conceptions of the glories of the antique
world. It is a pity that they were ever peopled. On that side, the
imagination of the artist halts, and appears defective. Let us examine
the point of the story in the "Belshazzar's Feast." We will introduce
it by an apposite anecdote.
The court historians of the day record, that at the first dinner given
by the late King (then Prince Regent) at the Pavilion, the following
characteristic frolic was played off. The guests were select and
admiring; the banquet profuse and admirable; the lights lustrous and
oriental; the eye was perfectly dazzled with the display of plate,
among which the great gold salt-cellar, brought from the regalia in
the Tower for this especial purpose, itself a tower! stood conspicuous
for its magnitude. And now the Rev. **** the then admired court
Chaplain, was proceeding with the grace, when, at a signal given, the
lights were suddenly overcast, and a huge transparency was discovered,
in which glittered in golden letters--
"BRIGHTON-EARTHQUAKE-SWALLOW-UP-ALIVE!"
Imagine the confusion of the guests; the Georges and garters, jewels,
bracelets, moulted upon the occasion! The fans dropt, and picked up
the next morning by the sly court pages! Mrs. Fitz-what's-her-name
fainting, and the Countess of **** holding the smelling bottle,
till the good-humoured Prince caused harmony to be restored by calling
in fresh candles, and declaring that the whole was nothing but a
pantomime _hoax_, got up by the ingenious Mr. Farley, of Covent
Garden, from hints which his Royal Highness himself had furnished!
Then imagine the infinite applause that followed, the mutual
rallyings, the declarations that "they were not much frightened," of
the assembled galaxy.
Public-domain text, read in full here on John Shaqi.
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