The Works of Charles and Mary Lamb — Volume 2: Elia and The Last Essays of EliaLamb, Charles
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The Works of Charles and Mary Lamb — Volume 2: Elia and The Last Essays of Elia
Lamb, Charles
English essays
The point of time in the picture exactly answers to the appearance of
the transparency in the anecdote. The huddle, the flutter, the bustle,
the escape, the alarm, and the mock alarm; the prettinesses heightened
by consternation; the courtier's fear which was flattery, and the
lady's which was affectation; all that we may conceive to have taken
place in a mob of Brighton courtiers, sympathising with the well-acted
surprise of their sovereign; all this, and no more, is exhibited by
the well-dressed lords and ladies in the Hall of Belus. Just this sort
of consternation we have seen among a flock of disquieted wild geese
at the report only of a gun having gone off!
But is this vulgar fright, this mere animal anxiety for the
preservation of their persons,--such as we have witnessed at a
theatre, when a slight alarm of fire has been given--an adequate
exponent of a supernatural terror? the way in which the finger of God,
writing judgments, would have been met by the withered conscience?
There is a human fear, and a divine fear. The one is disturbed,
restless, and bent upon escape. The other is bowed down, effortless,
passive. When the spirit appeared before Eliphaz in the visions of the
night, and the hair of his flesh stood up, was it in the thoughts
of the Temanite to ring the bell of his chamber, or to call up the
servants? But let us see in the text what there is to justify all this
huddle of vulgar consternation.
From the words of Daniel it appears that Belshazzar had made a great
feast to a thousand of his lords, and drank wine before the thousand.
The golden and silver vessels are gorgeously enumerated, with the
princes, the king's concubines, and his wives. Then follows--
"In the same hour came forth fingers of a man's hand, and wrote over
against the candlestick upon the plaster of the wall of the king's
palace; and the _king_ saw the part of the hand that wrote. Then the
_king's_ countenance was changed, and his thoughts troubled him, so
that the joints of his loins were loosened, and his knees smote one
against another."
This is the plain text. By no hint can it be otherwise inferred, but
that the appearance was solely confined to the fancy of Belshazzar,
that his single brain was troubled. Not a word is spoken of its being
seen by any else there present, not even by the queen herself, who
merely undertakes for the interpretation of the phenomenon, as related
to her, doubtless, by her husband. The lords are simply said to be
astonished; _i.e._ at the trouble and the change of countenance in
their sovereign. Even the prophet does not appear to have seen the
scroll, which the king saw. He recals it only, as Joseph did the Dream
to the King of Egypt. "Then was the part of the hand sent from him
[the Lord], and this writing was written." He speaks of the phantasm
as past.
Public-domain text, read in full here on John Shaqi.
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