The Works of Charles and Mary Lamb — Volume 2: Elia and The Last Essays of Elia — John Shaqi
The Works of Charles and Mary Lamb — Volume 2: Elia and The Last Essays of EliaLamb, Charles
General
The Works of Charles and Mary Lamb — Volume 2: Elia and The Last Essays of Elia
Lamb, Charles
English essays
The very clerks which I remember in the South-Sea House--I speak of
forty years back--had an air very different from those in the public
offices that I have had to do with since. They partook of the genius
of the place!
They were mostly (for the establishment did not admit of superfluous
salaries) bachelors. Generally (for they had not much to do) persons
of a curious and speculative turn of mind. Old-fashioned, for a reason
mentioned before. Humorists, for they were of all descriptions; and,
not having been brought together in early life (which has a tendency
to assimilate the members of corporate bodies to each other), but,
for the most part, placed in this house in ripe or middle age, they
necessarily carried into it their separate habits and oddities,
unqualified, if I may so speak, as into a common stock. Hence they
formed a sort of Noah's ark. Odd fishes. A lay-monastery. Domestic
retainers in a great house, kept more for show than use. Yet pleasant
fellows, full of chat--and not a few among them had arrived at
considerable proficiency on the German flute.
The cashier at that time was one Evans, a Cambro-Briton. He had
something of the choleric complexion of his countrymen stamped on his
visage, but was a worthy sensible man at bottom. He wore his hair, to
the last, powdered and frizzed out, in the fashion which I remember
to have seen in caricatures of what were termed, in my young days,
_Maccaronies_. He was the last of that race of beaux. Melancholy
as a gib-cat over his counter all the forenoon, I think I see him,
making up his cash (as they call it) with tremulous fingers, as if
he feared every one about him was a defaulter; in his hypochondry
ready to imagine himself one; haunted, at least, with the idea of
the possibility of his becoming one: his tristful visage clearing
up a little over his roast neck of veal at Anderton's at two (where
his picture still hangs, taken a little before his death by desire
of the master of the coffee-house, which he had frequented for the
last five-and-twenty years), but not attaining the meridian of its
animation till evening brought on the hour of tea and visiting. The
simultaneous sound of his well-known rap at the door with the stroke
of the clock announcing six, was a topic of never-failing mirth in the
families which this dear old bachelor gladdened with his presence.
Then was his _forte_, his glorified hour! How would he chirp, and
expand, over a muffin! How would he dilate into secret history! His
countryman, Pennant himself, in particular, could not be more eloquent
than he in relation to old and new London--the site of old theatres,
churches, streets gone to decay--where Rosamond's pond stood--the
Mulberry-gardens--and the Conduit in Cheap--with many a pleasant
anecdote, derived from paternal tradition, of those grotesque figures
which Hogarth has immortalized in his picture of _Noon_,--the worthy
descendants of those heroic confessors, who, flying to this country,
Public-domain text, read in full here on John Shaqi.
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