The Works of Christopher Marlowe, Vol. 2 (of 3)Marlowe, Christopher
General
The Works of Christopher Marlowe, Vol. 2 (of 3)
Marlowe, Christopher
English drama -- Early modern and Elizabethan, 1500-1600
[412] "Mugeroun (Maugiron) fell in a duel: Anquetil, _Hist. de France_,
t. v. 344, ed. 1817: but Saint-Mégrin, the gallant of the Duchess of
Guise, _was_ assassinated. 'Ils dressèrentu ne embuscade à la porte du
Louvre. Comme Saint-Mégrin, en sortoit la nuit, des assassins apostés se
jetèrent sur lui, et l'étendirent sur le pavé, percé de trente-cinq
coups. Il vécut cependant jusqu au lendemain.' Anquetil, _Ibid._ p.
347."--_Dyce._
[413] Pension, maintenance.
[414] Collier's correction for the old copy's "sexious."
[415] Quit, free.
[416] It cannot be determined where this scene takes place.
[417] Dyce reads "'A takes" (_i.e._ "He takes"); but the omission of a
personal pronoun, where the sense is plain, occurs not unfrequently.
[418] Scene: a room in the royal palace at Blois.
[419] Cf. _2 Tamburlaine_ iv. 3:--"Mounted his shining chariot" (for
"mounted _in_").
[420] Dyce conjectures that Guise must have seen himself in a mirror as
he uttered these words.
[421] Set.
[422] Order.
[423] Scene: the interior of a prison at Blois.
[424] Scene: a room in Dumaine's house, at Paris.
[425] Old ed. "_His life_ and all," &c.
[426] Scene: Saint-Cloud.
[427] Old ed. "Lucrecia walles."
[428] Old ed. "Jacobus."
[429] Old ed. "their."
[430] Dyce's correction for "_incense_ ... to kiss the _holy_ earth." He
compares _Edward II._ (I. 4, ll. 100, 101):--
"I'll fire thy crazed buildings, and _enforce_
The papal towers to kiss the _lowly_ ground."
[431] The bracketed words were inserted by Dyce.
[432] Dyce's correction for the old copy's "for."
FOOTNOTES FOR: "THE TRAGEDY OF DIDO, QUEEN OF CARTHAGE"
[433] Old ed. "aire."
[434] "This expression is well illustrated by Titian's[?] picture (in
the National Gallery) of the rape of Ganymede.--In Shakespeare's _Love's
Labour's Lost_, act v. sc. 2, we have,--
'A lady _wall'd-about_ with diamonds!'"--_Dyce._
[435] This speech is undoubtedly by Marlow, but it is curious that
Nashe, in _Summer's Last Will and Testament_ speaks of the amusement
caused among the gods by the sight of Vulcan's dancing:--"To make the
gods merry the celestial clown Vulcan tuned his polt foot to the
measures of Apollo's lute, and danced a limping galliard in Jove's
starry hall." (Hazlitt's _Dodsley_, viii. 91). In both passages there is
perhaps an allusion to the lines in the first book of the _Iliad_
(599-600), describing how "unquenchable laughter rose among the blessed
gods when they saw Hephæstus limping through the hall."
[436] Surprised.
[437] The stars were the children of Astræus and Eos. See Hesiod,
_Theogony_, ll. 381-2.
[438] These rhyming lines are suggestive of Nashe.
[439] "Parce metu, Cytherea; manént immota tuorum
Fata tibi." Virg. _Æn._ i. 257-8.
[440] "Hic jam ter centumt totos regnabitur annos
Gente sub Hectorea." Virg. _Æn._ i. 272-3.
Public-domain text, read in full here on John Shaqi.
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