The Works of Christopher Marlowe, Vol. 2 (of 3)Marlowe, Christopher
General
The Works of Christopher Marlowe, Vol. 2 (of 3)
Marlowe, Christopher
English drama -- Early modern and Elizabethan, 1500-1600
This play, composed by so worthy an author as Mr. Marlowe, and the part
of the Jew presented by so unimitable an actor as Mr. Alleyn, being in
this later age commended to the stage; as I ushered it unto the Court,
and presented it to the Cock-pit, with these prologues and epilogues
here inserted, so now being newly brought to the press, I was loth it
should be published without the ornament of an Epistle; making choice
of you unto whom to devote it; than whom (of all those gentlemen and
acquaintance, within the compass of my long knowledge) there is none
more able to tax ignorance, or attribute right to merit. Sir, you
have been pleased to grace some of mine own works with your courteous
patronage;[1] I hope this will not be the worse accepted, because
commended by me; over whom, none can claim more power or privilege than
yourself. I had no better a new-year's gift to present you with; receive
it therefore as a continuance of that inviolable obligement, by which,
he rests still engaged; who as he ever hath, shall always remain,
Tuissimus:
THO. HEYWOOD.
THE JEW OF MALTA.
THE PROLOGUE SPOKEN AT COURT.
Gracious and Great, that we so boldly dare,
('Mongst other plays that now in fashion are)
To present this, writ many years agone,
And in that age thought second unto none,
We humbly crave your pardon: We pursue
The story of a rich and famous Jew
Who lived in Malta: you shall find him still,
In all his projects, a sound Machiavill;
And that's his character. He that hath past
So many censures, is now come at last
To have your princely ears: grace you him; then
You crown the action, and renown the pen.
EPILOGUE.
It is our fear (dread sovereign) we have bin
Too tedious; neither can't be less than sin
To wrong your princely patience: If we have,
(Thus low dejected) we your pardon crave:
And if aught here offend your ear or sight,
We only act and speak what others write.
THE PROLOGUE TO THE STAGE.
AT THE COCK-PIT.
We know not how our play may pass this stage,
But by the best of poets[2] in that age
The Malta Jew had being, and was made;
And he, then by the best of actors[3] played;
In Hero and Leander, one did gain
A lasting memory: in Tamburlaine,
This Jew, with others many, th' other wan
The attribute of peerless, being a man
Whom we may rank with (doing no one wrong)
Proteus for shapes, and Roscius for a tongue,
So could he speak, so vary; nor is't hate
To merit, in him[4] who doth personate
Our Jew this day; nor is it his ambition
To exceed or equal, being of condition
More modest: this is all that he intends,
(And that too, at the urgence of some friends)
To prove his best, and, if none here gainsay it,
The part he hath studied, and intends to play it.
EPILOGUE.
Public-domain text, read in full here on John Shaqi.
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