The Works of Edgar Allan Poe, The Raven Edition: Table Of Contents And Index Of The Five Volumes — John Shaqi
The Works of Edgar Allan Poe, The Raven Edition: Table Of Contents And Index Of The Five VolumesPoe, Edgar Allan
General
The Works of Edgar Allan Poe, The Raven Edition: Table Of Contents And Index Of The Five Volumes
Poe, Edgar Allan
American fiction -- 19th century; Fantasy fiction; Horror tales, American; Indexes; Poe, Edgar Allan, 1809-1849; Short stories
tokens of that ethereal sublimation in which the spirit seems to
soar above the regions of words, but leaves its body, the verse,
to be entombed, without hope of resurrection, in a mass of them.
Cowley is generally instanced as a wonder of precocity. But his
early insipidities show only a capacity for rhyming and for the
metrical arrangement of certain conventional combinations of
words, a capacity wholly dependent on a delicate physical
organization, and an unhappy memory. An early poem is only
remarkable when it displays an effort of _reason,_ and the rudest
verses in which we can trace some conception of the ends of
poetry, are worth all the miracles of smooth juvenile
versification. A school-boy, one would say, might acquire the
regular see-saw of Pope merely by an association with the motion
of the play-ground tilt.
Mr. Poe’s early productions show that he could see through the
verse to the spirit beneath, and that he already had a feeling
that all the life and grace of the one must depend on and be
modulated by the will of the other. We call them the most
remarkable boyish poems that we have ever read. We know of none
that can compare with them for maturity of purpose, and a nice
understanding of the effects of language and metre. Such pieces
are only valuable when they display what we can only express by
the contradictory phrase of _innate experience._ We copy one of
the shorter poems, written when the author was only fourteen.
There is a little dimness in the filling up, but the grace and
symmetry of the outline are such as few poets ever attain. There
is a smack of ambrosia about it.
TO HELEN
Helen, thy beauty is to me
Like those Nicean barks of yore,
That gently, o’er a perfumed sea,
The weary, way-worn wanderer bore
To his own native shore.
On desperate seas long wont to roam,
Thy hyacinth hair, thy classic face,
Thy Naiad airs have brought me home
To the glory that was Greece
And the grandeur that was Rome.
Lo! in yon brilliant window-niche
How statue-like I see thee stand!
The agate lamp within thy hand,
Ah! Psyche, from the regions which
Are Holy Land!
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