The Works of Edgar Allan Poe, The Raven Edition: Table Of Contents And Index Of The Five VolumesPoe, Edgar Allan
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The Works of Edgar Allan Poe, The Raven Edition: Table Of Contents And Index Of The Five Volumes
Poe, Edgar Allan
American fiction -- 19th century; Fantasy fiction; Horror tales, American; Indexes; Poe, Edgar Allan, 1809-1849; Short stories
When we say that Mr. Poe had genius, we do not mean to say that
he has produced evidence of the highest. But to say that he
possesses it at all is to say that he needs only zeal, industry,
and a reverence for the trust reposed in him, to achieve the
proudest triumphs and the greenest laurels. If we may believe the
Longinuses and Aristotles of our newspapers, we have quite too
many geniuses of the loftiest order to render a place among them
at all desirable, whether for its hardness of attainment or its
seclusion. The highest peak of our Parnassus is, according to
these gentlemen, by far the most thickly settled portion of the
country, a circumstance which must make it an uncomfortable
residence for individuals of a poetical temperament, if love of
solitude be, as immemorial tradition asserts, a necessary part of
their idiosyncrasy.
Mr. Poe has two of the prime qualities of genius, a faculty of
vigorous yet minute analysis, and a wonderful fecundity of
imagination. The first of these faculties is as needful to the
artist in words, as a knowledge of anatomy is to the artist in
colors or in stone. This enables him to conceive truly, to
maintain a proper relation of parts, and to draw a correct
outline, while the second groups, fills up and colors. Both of
these Mr. Poe has displayed with singular distinctness in his
prose works, the last predominating in his earlier tales, and the
first in his later ones. In judging of the merit of an author,
and assigning him his niche among our household gods, we have a
right to regard him from our own point of view, and to measure
him by our own standard. But, in estimating the amount of power
displayed in his works, we must be governed by his own design,
and placing them by the side of his own ideal, find how much is
wanting. We differ from Mr. Poe in his opinions of the objects of
art. He esteems that object to be the creation of Beauty, and
perhaps it is only in the definition of that word that we
disagree with him. But in what we shall say of his writings, we
shall take his own standard as our guide. The temple of the god
of song is equally accessible from every side, and there is room
enough in it for all who bring offerings, or seek in oracle.
Public-domain text, read in full here on John Shaqi.
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