The Works of Edgar Allan Poe — Volume 1Poe, Edgar Allan
General
The Works of Edgar Allan Poe — Volume 1
Poe, Edgar Allan
American fiction -- 19th century; Fantasy fiction; Horror tales, American; Poe, Edgar Allan, 1809-1849
Residing as he did in the country, we never met Mr. Poe in hours
of leisure; but he frequently called on us afterward at our place
of business, and we met him often in the street—invariably the
same sad mannered, winning and refined gentleman, such as we had
always known him. It was by rumor only, up to the day of his
death, that we knew of any other development of manner or
character. We heard, from one who knew him well (what should be
stated in all mention of his lamentable irregularities), that,
with a single glass of wine, his whole nature was reversed, the
demon became uppermost, and, though none of the usual signs of
intoxication were visible, his will was palpably insane.
Possessing his reasoning faculties in excited activity, at such
times, and seeking his acquaintances with his wonted look and
memory, he easily seemed personating only another phase of his
natural character, and was accused, accordingly, of insulting
arrogance and bad-heartedness. In this reversed character, we
repeat, it was never our chance to see him. We know it from
hearsay, and we mention it in connection with this sad infirmity
of physical constitution; which puts it upon very nearly the
ground of a temporary and almost irresponsible insanity.
The arrogance, vanity, and depravity of heart, of which Mr. Poe
was generally accused, seem to us referable altogether to this
reversed phase of his character. Under that degree of
intoxication which only acted upon him by demonizing his sense of
truth and right, he doubtless said and did much that was wholly
irreconcilable with his better nature; but, when himself, and as
we knew him only, his modesty and unaffected humility, as to his
own deservings, were a constant charm to his character. His
letters, of which the constant application for autographs has
taken from us, we are sorry to confess, the greater portion,
exhibited this quality very strongly. In one of the carelessly
written notes of which we chance still to retain possession, for
instance, he speaks of “The Raven”—that extraordinary poem which
electrified the world of imaginative readers, and has become the
type of a school of poetry of its own—and, in evident earnest,
attributes its success to the few words of commendation with
which we had prefaced it in this paper. It will throw light on
his sane character to give a literal copy of the note:
“FORDHAM, _April_ 20, 1849
Public-domain text, read in full here on John Shaqi.
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