The Works of Edgar Allan Poe — Volume 2Poe, Edgar Allan
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The Works of Edgar Allan Poe — Volume 2
Poe, Edgar Allan
American fiction -- 19th century; Fantasy fiction; Horror tales, American; Short stories
But these other apartments were densely crowded, and in them beat
feverishly the heart of life. And the revel went whirlingly on,
until at length there commenced the sounding of midnight upon the
clock. And then the music ceased, as I have told; and the
evolutions of the waltzers were quieted; and there was an uneasy
cessation of all things as before. But now there were twelve
strokes to be sounded by the bell of the clock; and thus it
happened, perhaps, that more of thought crept, with more of time,
into the meditations of the thoughtful among those who revelled.
And thus, too, it happened, perhaps, that before the last echoes
of the last chime had utterly sunk into silence, there were many
individuals in the crowd who had found leisure to become aware of
the presence of a masked figure which had arrested the attention
of no single individual before. And the rumor of this new
presence having spread itself whisperingly around, there arose at
length from the whole company a buzz, or murmur, expressive of
disapprobation and surprise—then, finally, of terror, of horror,
and of disgust.
In an assembly of phantasms such as I have painted, it may well
be supposed that no ordinary appearance could have excited such
sensation. In truth the masquerade license of the night was
nearly unlimited; but the figure in question had out-Heroded
Herod, and gone beyond the bounds of even the prince’s indefinite
decorum. There are chords in the hearts of the most reckless
which cannot be touched without emotion. Even with the utterly
lost, to whom life and death are equally jests, there are matters
of which no jest can be made. The whole company, indeed, seemed
now deeply to feel that in the costume and bearing of the
stranger neither wit nor propriety existed. The figure was tall
and gaunt, and shrouded from head to foot in the habiliments of
the grave. The mask which concealed the visage was made so nearly
to resemble the countenance of a stiffened corpse that the
closest scrutiny must have had difficulty in detecting the cheat.
And yet all this might have been endured, if not approved, by the
mad revellers around. But the mummer had gone so far as to assume
the type of the Red Death. His vesture was dabbled in blood—and
his broad brow, with all the features of the face, was
besprinkled with the scarlet horror.
When the eyes of Prince Prospero fell upon this spectral image
(which with a slow and solemn movement, as if more fully to
sustain its role, stalked to and fro among the waltzers) he was
seen to be convulsed, in the first moment with a strong shudder
either of terror or distaste; but, in the next, his brow reddened
with rage.
Public-domain text, read in full here on John Shaqi.
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