The Works of Edgar Allan Poe — Volume 2Poe, Edgar Allan
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The Works of Edgar Allan Poe — Volume 2
Poe, Edgar Allan
American fiction -- 19th century; Fantasy fiction; Horror tales, American; Short stories
“Who dares?” he demanded hoarsely of the courtiers who stood near
him—“who dares insult us with this blasphemous mockery? Seize him
and unmask him—that we may know whom we have to hang at sunrise,
from the battlements!”
It was in the eastern or blue chamber in which stood the Prince
Prospero as he uttered these words. They rang throughout the
seven rooms loudly and clearly—for the prince was a bold and
robust man, and the music had become hushed at the waving of his
hand.
It was in the blue room where stood the prince, with a group of
pale courtiers by his side. At first, as he spoke, there was a
slight rushing movement of this group in the direction of the
intruder, who at the moment was also near at hand, and now, with
deliberate and stately step, made closer approach to the speaker.
But from a certain nameless awe with which the mad assumptions of
the mummer had inspired the whole party, there were found none
who put forth hand to seize him; so that, unimpeded, he passed
within a yard of the prince’s person; and, while the vast
assembly, as if with one impulse, shrank from the centres of the
rooms to the walls, he made his way uninterruptedly, but with the
same solemn and measured step which had distinguished him from
the first, through the blue chamber to the purple—through the
purple to the green—through the green to the orange—through this
again to the white—and even thence to the violet, ere a decided
movement had been made to arrest him. It was then, however, that
the Prince Prospero, maddening with rage and the shame of his own
momentary cowardice, rushed hurriedly through the six chambers,
while none followed him on account of a deadly terror that had
seized upon all. He bore aloft a drawn dagger, and had
approached, in rapid impetuosity, to within three or four feet of
the retreating figure, when the latter, having attained the
extremity of the velvet apartment, turned suddenly and confronted
his pursuer. There was a sharp cry—and the dagger dropped
gleaming upon the sable carpet, upon which, instantly afterwards,
fell prostrate in death the Prince Prospero. Then, summoning the
wild courage of despair, a throng of the revellers at once threw
themselves into the black apartment, and, seizing the mummer,
whose tall figure stood erect and motionless within the shadow of
the ebony clock, gasped in unutterable horror at finding the
grave-cerements and corpse-like mask which they handled with so
violent a rudeness, untenanted by any tangible form.
Public-domain text, read in full here on John Shaqi.
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