The Works of Edgar Allan Poe — Volume 3Poe, Edgar Allan
General
The Works of Edgar Allan Poe — Volume 3
Poe, Edgar Allan
American fiction -- 19th century; Fantasy fiction; Horror tales, American
The Penguin got into port about nine o’clock in the morning,
after encountering one of the severest gales ever experienced off
Nantucket. Both Augustus and myself managed to appear at Mr.
Barnard’s in time for breakfast—which, luckily, was somewhat
late, owing to the party over night. I suppose all at the table
were too much fatigued themselves to notice our jaded
appearance—of course, it would not have borne a very rigid
scrutiny. Schoolboys, however, can accomplish wonders in the way
of deception, and I verily believe not one of our friends in
Nantucket had the slightest suspicion that the terrible story
told by some sailors in town of their having run down a vessel at
sea and drowned some thirty or forty poor devils, had reference
either to the Ariel, my companion, or myself. We two have since
very frequently talked the matter over—but never without a
shudder. In one of our conversations Augustus frankly confessed
to me, that in his whole life he had at no time experienced so
excruciating a sense of dismay, as when on board our little boat
he first discovered the extent of his intoxication, and felt
himself sinking beneath its influence.
CHAPTER 2
In no affairs of mere prejudice, pro or con, do we deduce
inferences with entire certainty, even from the most simple data.
It might be supposed that a catastrophe such as I have just
related would have effectually cooled my incipient passion for
the sea. On the contrary, I never experienced a more ardent
longing for the wild adventures incident to the life of a
navigator than within a week after our miraculous deliverance.
This short period proved amply long enough to erase from my
memory the shadows, and bring out in vivid light all the
pleasurably exciting points of color, all the picturesqueness, of
the late perilous accident. My conversations with Augustus grew
daily more frequent and more intensely full of interest. He had a
manner of relating his stories of the ocean (more than one half
of which I now suspect to have been sheer fabrications) well
adapted to have weight with one of my enthusiastic temperament
and somewhat gloomy although glowing imagination. It is strange,
too, that he most strongly enlisted my feelings in behalf of the
life of a seaman, when he depicted his more terrible moments of
suffering and despair. For the bright side of the painting I had
a limited sympathy. My visions were of shipwreck and famine; of
death or captivity among barbarian hordes; of a lifetime dragged
out in sorrow and tears, upon some gray and desolate rock, in an
ocean unapproachable and unknown. Such visions or desires—for
they amounted to desires—are common, I have since been assured,
Public-domain text, read in full here on John Shaqi.
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