The Works of Edgar Allan Poe — Volume 3Poe, Edgar Allan
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The Works of Edgar Allan Poe — Volume 3
Poe, Edgar Allan
American fiction -- 19th century; Fantasy fiction; Horror tales, American
“Mr. B., for some years past, has been subject to neuralgia,
which has often threatened to terminate fatally; but this can be
regarded only as the mediate cause of his decease. The proximate
cause was one of especial singularity. In an excursion to the
Ragged Mountains, a few days since, a slight cold and fever were
contracted, attended with great determination of blood to the
head. To relieve this, Dr. Templeton resorted to topical
bleeding. Leeches were applied to the temples. In a fearfully
brief period the patient died, when it appeared that in the jar
containing the leeches, had been introduced, by accident, one of
the venomous vermicular sangsues which are now and then found in
the neighboring ponds. This creature fastened itself upon a small
artery in the right temple. Its close resemblance to the
medicinal leech caused the mistake to be overlooked until too
late.
“N. B.—The poisonous sangsue of Charlottesville may always be
distinguished from the medicinal leech by its blackness, and
especially by its writhing or vermicular motions, which very
nearly resemble those of a snake.”
I was speaking with the editor of the paper in question, upon the
topic of this remarkable accident, when it occurred to me to ask
how it happened that the name of the deceased had been given as
Bedlo.
“I presume,” I said, “you have authority for this spelling, but I
have always supposed the name to be written with an e at the
end.”
“Authority?—no,” he replied. “It is a mere typographical error.
The name is Bedlo with an e, all the world over, and I never knew
it to be spelt otherwise in my life.”
“Then,” said I mutteringly, as I turned upon my heel, “then
indeed has it come to pass that one truth is stranger than any
fiction—for Bedloe, without the e, what is it but Oldeb
conversed! And this man tells me that it is a typographical
error.”
THE SPECTACLES
Many years ago, it was the fashion to ridicule the idea of “love
at first sight;” but those who think, not less than those who
feel deeply, have always advocated its existence. Modern
discoveries, indeed, in what may be termed ethical magnetism or
magnetoesthetics, render it probable that the most natural, and,
consequently, the truest and most intense of the human affections
are those which arise in the heart as if by electric sympathy—in
a word, that the brightest and most enduring of the psychal
fetters are those which are riveted by a glance. The confession I
am about to make will add another to the already almost
innumerable instances of the truth of the position.
Public-domain text, read in full here on John Shaqi.
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