The Works of Edgar Allan Poe — Volume 3Poe, Edgar Allan
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The Works of Edgar Allan Poe — Volume 3
Poe, Edgar Allan
American fiction -- 19th century; Fantasy fiction; Horror tales, American
My story requires that I should be somewhat minute. I am still a
very young man—not yet twenty-two years of age. My name, at
present, is a very usual and rather plebeian one—Simpson. I say
“at present;” for it is only lately that I have been so
called—having legislatively adopted this surname within the last
year in order to receive a large inheritance left me by a distant
male relative, Adolphus Simpson, Esq. The bequest was conditioned
upon my taking the name of the testator,—the family, not the
Christian name; my Christian name is Napoleon Bonaparte—or, more
properly, these are my first and middle appellations.
I assumed the name, Simpson, with some reluctance, as in my true
patronym, Froissart, I felt a very pardonable pride—believing
that I could trace a descent from the immortal author of the
“Chronicles.” While on the subject of names, by the bye, I may
mention a singular coincidence of sound attending the names of
some of my immediate predecessors. My father was a Monsieur
Froissart, of Paris. His wife—my mother, whom he married at
fifteen—was a Mademoiselle Croissart, eldest daughter of
Croissart the banker, whose wife, again, being only sixteen when
married, was the eldest daughter of one Victor Voissart. Monsieur
Voissart, very singularly, had married a lady of similar name—a
Mademoiselle Moissart. She, too, was quite a child when married;
and her mother, also, Madame Moissart, was only fourteen when led
to the altar. These early marriages are usual in France. Here,
however, are Moissart, Voissart, Croissart, and Froissart, all in
the direct line of descent. My own name, though, as I say, became
Simpson, by act of Legislature, and with so much repugnance on my
part, that, at one period, I actually hesitated about accepting
the legacy with the useless and annoying proviso attached.
Public-domain text, read in full here on John Shaqi.
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