The Works of Edgar Allan Poe — Volume 4Poe, Edgar Allan
General
The Works of Edgar Allan Poe — Volume 4
Poe, Edgar Allan
American fiction -- 19th century; Fantasy fiction; Horror tales, American; Short stories
_ Monos._ One word first, my Una, in regard to man’s general
condition at this epoch. You will remember that one or two of the
wise among our forefathers—wise in fact, although not in the
world’s esteem—had ventured to doubt the propriety of the term
“improvement,” as applied to the progress of our civilization.
There were periods in each of the five or six centuries
immediately preceding our dissolution, when arose some vigorous
intellect, boldly contending for those principles whose truth
appears now, to our disenfranchised reason, so utterly
obvious—principles which should have taught our race to submit to
the guidance of the natural laws, rather than attempt their
control. At long intervals some masterminds appeared, looking
upon each advance in practical science as a retro-gradation in
the true utility. Occasionally the poetic intellect—that
intellect which we now feel to have been the most exalted of
all—since those truths which to us were of the most enduring
importance could only be reached by that analogy which speaks in
proof tones to the imagination alone and to the unaided reason
bears no weight—occasionally did this poetic intellect proceed a
step farther in the evolving of the vague idea of the
philosophic, and find in the mystic parable that tells of the
tree of knowledge, and of its forbidden fruit, death-producing, a
distinct intimation that knowledge was not meet for man in the
infant condition of his soul. And these men—the poets—living and
perishing amid the scorn of the “utilitarians”—of rough pedants,
who arrogated to themselves a title which could have been
properly applied only to the scorned—these men, the poets,
pondered piningly, yet not unwisely, upon the ancient days when
our wants were not more simple than our enjoyments were keen—days
when mirth was a word unknown, so solemnly deep-toned was
happiness—holy, august and blissful days, when blue rivers ran
undammed, between hills unhewn, into far forest solitudes,
primæval, odorous, and unexplored.
Public-domain text, read in full here on John Shaqi.
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