The Works of Edgar Allan Poe — Volume 4Poe, Edgar Allan
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The Works of Edgar Allan Poe — Volume 4
Poe, Edgar Allan
American fiction -- 19th century; Fantasy fiction; Horror tales, American; Short stories
Yet these noble exceptions from the general misrule served but to
strengthen it by opposition. Alas! we had fallen upon the most
evil of all our evil days. The great “movement”—that was the cant
term—went on: a diseased commotion, moral and physical. Art—the
Arts—arose supreme, and, once enthroned, cast chains upon the
intellect which had elevated them to power. Man, because he could
not but acknowledge the majesty of Nature, fell into childish
exultation at his acquired and still-increasing dominion over her
elements. Even while he stalked a God in his own fancy, an
infantine imbecility came over him. As might be supposed from the
origin of his disorder, he grew infected with system, and with
abstraction. He enwrapped himself in generalities. Among other
odd ideas, that of universal equality gained ground; and in the
face of analogy and of God—in despite of the loud warning voice
of the laws of _gradation_ so visibly pervading all things in
Earth and Heaven—wild attempts at an omni-prevalent Democracy
were made. Yet this evil sprang necessarily from the leading
evil—Knowledge. Man could not both know and succumb. Meantime
huge smoking cities arose, innumerable. Green leaves shrank
before the hot breath of furnaces. The fair face of Nature was
deformed as with the ravages of some loathsome disease. And
methinks, sweet Una, even our slumbering sense of the forced and
of the far-fetched might have arrested us here. But now it
appears that we had worked out our own destruction in the
perversion of our taste, or rather in the blind neglect of its
culture in the schools. For, in truth, it was at this crisis that
taste alone—that faculty which, holding a middle position between
the pure intellect and the moral sense, could never safely have
been disregarded—it was now that taste alone could have led us
gently back to Beauty, to Nature, and to Life. But alas for the
pure contemplative spirit and majestic intuition of Plato! Alas
for the μουσικη which he justly regarded as an all-sufficient
education for the soul! Alas for him and for it!—since both were
most desperately needed when both were most entirely forgotten or
despised. {*1}
Public-domain text, read in full here on John Shaqi.
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