The Works of Edgar Allan Poe — Volume 4Poe, Edgar Allan
General
The Works of Edgar Allan Poe — Volume 4
Poe, Edgar Allan
American fiction -- 19th century; Fantasy fiction; Horror tales, American; Short stories
caused the gaping crowd who stood around to recoil in horror from
the deep and impressive meaning of his terrible stamp—times when
the young Metzengerstein turned pale and shrunk away from the
rapid and searching expression of his earnest and human-looking
eye.
Among all the retinue of the Baron, however, none were found to
doubt the ardor of that extraordinary affection which existed on
the part of the young nobleman for the fiery qualities of his
horse; at least, none but an insignificant and misshapen little
page, whose deformities were in everybody’s way, and whose
opinions were of the least possible importance. He—if his ideas
are worth mentioning at all—had the effrontery to assert that his
master never vaulted into the saddle without an unaccountable and
almost imperceptible shudder, and that, upon his return from
every long-continued and habitual ride, an expression of
triumphant malignity distorted every muscle in his countenance.
One tempestuous night, Metzengerstein, awaking from a heavy
slumber, descended like a maniac from his chamber, and, mounting
in hot haste, bounded away into the mazes of the forest. An
occurrence so common attracted no particular attention, but his
return was looked for with intense anxiety on the part of his
domestics, when, after some hours’ absence, the stupendous and
magnificent battlements of the Chateau Metzengerstein, were
discovered crackling and rocking to their very foundation, under
the influence of a dense and livid mass of ungovernable fire.
As the flames, when first seen, had already made so terrible a
progress that all efforts to save any portion of the building
were evidently futile, the astonished neighborhood stood idly
around in silent and pathetic wonder. But a new and fearful
object soon rivetted the attention of the multitude, and proved
how much more intense is the excitement wrought in the feelings
of a crowd by the contemplation of human agony, than that brought
about by the most appalling spectacles of inanimate matter.
Up the long avenue of aged oaks which led from the forest to the
main entrance of the Château Metzengerstein, a steed, bearing an
unbonneted and disordered rider, was seen leaping with an
impetuosity which outstripped the very Demon of the Tempest.
Public-domain text, read in full here on John Shaqi.
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