The Works of Edgar Allan Poe — Volume 4Poe, Edgar Allan
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The Works of Edgar Allan Poe — Volume 4
Poe, Edgar Allan
American fiction -- 19th century; Fantasy fiction; Horror tales, American; Short stories
At six, dinner was announced; and my host conducted me into a
large _salle à manger_, where a very numerous company were
assembled—twenty-five or thirty in all. They were, apparently,
people of rank—certainly of high breeding—although their
habiliments, I thought, were extravagantly rich, partaking
somewhat too much of the ostentatious finery of the _vielle
cour_. I noticed that at least two-thirds of these guests were
ladies; and some of the latter were by no means accoutred in what
a Parisian would consider good taste at the present day. Many
females, for example, whose age could not have been less than
seventy were bedecked with a profusion of jewelry, such as rings,
bracelets, and earrings, and wore their bosoms and arms
shamefully bare. I observed, too, that very few of the dresses
were well made—or, at least, that very few of them fitted the
wearers. In looking about, I discovered the interesting girl to
whom Monsieur Maillard had presented me in the little parlor; but
my surprise was great to see her wearing a hoop and farthingale,
with high-heeled shoes, and a dirty cap of Brussels lace, so much
too large for her that it gave her face a ridiculously diminutive
expression. When I had first seen her, she was attired, most
becomingly, in deep mourning. There was an air of oddity, in
short, about the dress of the whole party, which, at first,
caused me to recur to my original idea of the “soothing system,”
and to fancy that Monsieur Maillard had been willing to deceive
me until after dinner, that I might experience no uncomfortable
feelings during the repast, at finding myself dining with
lunatics; but I remembered having been informed, in Paris, that
the southern provincialists were a peculiarly eccentric people,
with a vast number of antiquated notions; and then, too, upon
conversing with several members of the company, my apprehensions
were immediately and fully dispelled.
The dining-room itself, although perhaps sufficiently comfortable
and of good dimensions, had nothing too much of elegance about
it. For example, the floor was uncarpeted; in France, however, a
carpet is frequently dispensed with. The windows, too, were
without curtains; the shutters, being shut, were securely
fastened with iron bars, applied diagonally, after the fashion of
our ordinary shop-shutters. The apartment, I observed, formed, in
itself, a wing of the château, and thus the windows were on three
sides of the parallelogram, the door being at the other. There
were no less than ten windows in all.
Public-domain text, read in full here on John Shaqi.
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