The Works of Edgar Allan Poe — Volume 4Poe, Edgar Allan
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The Works of Edgar Allan Poe — Volume 4
Poe, Edgar Allan
American fiction -- 19th century; Fantasy fiction; Horror tales, American; Short stories
“And then,” said a cadaverous looking personage, near the foot of
the table, taking up the thread of the conversation where it had
been broken off,—“and then, among other oddities, we had a
patient, once upon a time, who very pertinaciously maintained
himself to be a Cordova cheese, and went about, with a knife in
his hand, soliciting his friends to try a small slice from the
middle of his leg.”
“He was a great fool, beyond doubt,” interposed some one, “but
not to be compared with a certain individual whom we all know,
with the exception of this strange gentleman. I mean the man who
took himself for a bottle of champagne, and always went off with
a pop and a fizz, in this fashion.”
Here the speaker, very rudely, as I thought, put his right thumb
in his left cheek, withdrew it with a sound resembling the
popping of a cork, and then, by a dexterous movement of the
tongue upon the teeth, created a sharp hissing and fizzing, which
lasted for several minutes, in imitation of the frothing of
champagne. This behavior, I saw plainly, was not very pleasing to
Monsieur Maillard; but that gentleman said nothing, and the
conversation was resumed by a very lean little man in a big wig.
“And then there was an ignoramus,” said he, “who mistook himself
for a frog, which, by the way, he resembled in no little degree.
I wish you could have seen him, sir,”—here the speaker addressed
myself—“it would have done your heart good to see the natural
airs that he put on. Sir, if that man was not a frog, I can only
observe that it is a pity he was not. His croak
thus—o-o-o-o-gh—o-o-o-o-gh! was the finest note in the world—B
flat; and when he put his elbows upon the table thus—after taking
a glass or two of wine—and distended his mouth, thus, and rolled
up his eyes, thus, and winked them with excessive rapidity, thus,
why then, sir, I take it upon myself to say, positively, that you
would have been lost in admiration of the genius of the man.”
“I have no doubt of it,” I said.
“And then,” said somebody else, “then there was Petit Gaillard,
who thought himself a pinch of snuff, and was truly distressed
because he could not take himself between his own finger and
thumb.”
“And then there was Jules Desoulières, who was a very singular
genius, indeed, and went mad with the idea that he was a pumpkin.
He persecuted the cook to make him up into pies—a thing which the
cook indignantly refused to do. For my part, I am by no means
sure that a pumpkin pie _à la Desoulières_ would not have been
very capital eating indeed!”
“You astonish me!” said I; and I looked inquisitively at Monsieur
Maillard.
Public-domain text, read in full here on John Shaqi.
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