The Works of Edgar Allan Poe — Volume 4 — John Shaqi
The Works of Edgar Allan Poe — Volume 4Poe, Edgar Allan
General
The Works of Edgar Allan Poe — Volume 4
Poe, Edgar Allan
American fiction -- 19th century; Fantasy fiction; Horror tales, American; Short stories
The fireplaces are large and deep, with fierce crooked-looking
fire-dogs. There is constantly a rousing fire, and a huge pot
over it, full of sauer-kraut and pork, to which the good woman of
the house is always busy in attending. She is a little fat old
lady, with blue eyes and a red face, and wears a huge cap like a
sugar-loaf, ornamented with purple and yellow ribbons. Her dress
is of orange-colored linsey-woolsey, made very full behind and
very short in the waist—and indeed very short in other respects,
not reaching below the middle of her leg. This is somewhat thick,
and so are her ankles, but she has a fine pair of green stockings
to cover them. Her shoes—of pink leather—are fastened each with a
bunch of yellow ribbons puckered up in the shape of a cabbage. In
her left hand she has a little heavy Dutch watch; in her right
she wields a ladle for the sauerkraut and pork. By her side there
stands a fat tabby cat, with a gilt toy-repeater tied to its
tail, which “the boys” have there fastened by way of a quiz.
The boys themselves are, all three of them, in the garden
attending the pig. They are each two feet in height. They have
three-cornered cocked hats, purple waistcoats reaching down to
their thighs, buckskin knee-breeches, red stockings, heavy shoes
with big silver buckles, long surtout coats with large buttons of
mother-of-pearl. Each, too, has a pipe in his mouth, and a little
dumpy watch in his right hand. He takes a puff and a look, and
then a look and a puff. The pig—which is corpulent and lazy—is
occupied now in picking up the stray leaves that fall from the
cabbages, and now in giving a kick behind at the gilt repeater,
which the urchins have also tied to his tail in order to make him
look as handsome as the cat.
Right at the front door, in a high-backed leather-bottomed armed
chair, with crooked legs and puppy feet like the tables, is
seated the old man of the house himself. He is an exceedingly
puffy little old gentleman, with big circular eyes and a huge
double chin. His dress resembles that of the boys—and I need say
nothing farther about it. All the difference is, that his pipe is
somewhat bigger than theirs and he can make a greater smoke. Like
them, he has a watch, but he carries his watch in his pocket. To
say the truth, he has something of more importance than a watch
to attend to—and what that is, I shall presently explain. He sits
with his right leg upon his left knee, wears a grave countenance,
and always keeps one of his eyes, at least, resolutely bent upon
a certain remarkable object in the centre of the plain.
Public-domain text, read in full here on John Shaqi.
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