The Works of Edgar Allan Poe — Volume 4Poe, Edgar Allan
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The Works of Edgar Allan Poe — Volume 4
Poe, Edgar Allan
American fiction -- 19th century; Fantasy fiction; Horror tales, American; Short stories
Very pertinently it was demanded of Plato, why a picked chicken,
which was clearly “a biped without feathers,” was not, according
to his own definition, a man? But I am not to be bothered by any
similar query. Man is an animal that diddles, and there is no
animal that diddles but man. It will take an entire hen-coop of
picked chickens to get over that.
What constitutes the essence, the nare, the principle of diddling
is, in fact, peculiar to the class of creatures that wear coats
and pantaloons. A crow thieves; a fox cheats; a weasel outwits; a
man diddles. To diddle is his destiny. “Man was made to mourn,”
says the poet. But not so:—he was made to diddle. This is his
aim—his object—his end. And for this reason when a man’s diddled
we say he’s “_done_.”
Diddling, rightly considered, is a compound, of which the
ingredients are minuteness, interest, perseverance, ingenuity,
audacity, _nonchalance_, originality, impertinence, and grin.
_Minuteness:_—Your diddler is minute. His operations are upon a
small scale. His business is retail, for cash, or approved paper
at sight. Should he ever be tempted into magnificent speculation,
he then, at once, loses his distinctive features, and becomes
what we term “financier.” This latter word conveys the diddling
idea in every respect except that of magnitude. A diddler may
thus be regarded as a banker _in petto_—a “financial operation,”
as a diddle at Brobdignag. The one is to the other, as Homer to
“Flaccus”—as a Mastodon to a mouse—as the tail of a comet to that
of a pig.
_Interest:_—Your diddler is guided by self-interest. He scorns to
diddle for the mere _sake_ of the diddle. He has an object in
view—his pocket—and yours. He regards always the main chance. He
looks to Number One. You are Number Two, and must look to
yourself.
_Perseverance:_—Your diddler perseveres. He is not readily
discouraged. Should even the banks break, he cares nothing about
it. He steadily pursues his end, and
‘Ut canis a corio nunquam absterrebitur uncto,’
so he never lets go of his game.
_Ingenuity:_—Your diddler is ingenious. He has constructiveness
large. He understands plot. He invents and circumvents. Were he
not Alexander he would be Diogenes. Were he not a diddler, he
would be a maker of patent rat-traps or an angler for trout.
_Audacity:_—Your diddler is audacious.—He is a bold man. He
carries the war into Africa. He conquers all by assault. He would
not fear the daggers of Frey Herren. With a little more prudence
Dick Turpin would have made a good diddler; with a trifle less
blarney, Daniel O’Connell; with a pound or two more brains,
Charles the Twelfth.
Public-domain text, read in full here on John Shaqi.
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