The Works of Edgar Allan Poe — Volume 4Poe, Edgar Allan
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The Works of Edgar Allan Poe — Volume 4
Poe, Edgar Allan
American fiction -- 19th century; Fantasy fiction; Horror tales, American; Short stories
_Nonchalance:_—Your diddler is nonchalant. He is not at all
nervous. He never had any nerves. He is never seduced into a
flurry. He is never put out—unless put out of doors. He is
cool—cool as a cucumber. He is calm—“calm as a smile from Lady
Bury.” He is easy—easy as an old glove, or the damsels of ancient
Baiæ.
_Originality:_—Your diddler is original—conscientiously so. His
thoughts are his own. He would scorn to employ those of another.
A stale trick is his aversion. He would return a purse, I am
sure, upon discovering that he had obtained it by an unoriginal
diddle.
_Impertinence:_—Your diddler is impertinent. He swaggers. He sets
his arms a-kimbo. He thrusts his hands in his trowsers’ pockets.
He sneers in your face. He treads on your corns. He eats your
dinner, he drinks your wine, he borrows your money, he pulls your
nose, he kicks your poodle, and he kisses your wife.
_Grin:_—Your true diddler winds up all with a grin. But this
nobody sees but himself. He grins when his daily work is
done—when his allotted labors are accomplished—at night in his
own closet, and altogether for his own private entertainment. He
goes home. He locks his door. He divests himself of his clothes.
He puts out his candle. He gets into bed. He places his head upon
the pillow. All this done, and your diddler grins. This is no
hypothesis. It is a matter of course. I reason _à priori_, and a
diddle would be no diddle without a grin.
The origin of the diddle is referrable to the infancy of the
Human Race. Perhaps the first diddler was Adam. At all events, we
can trace the science back to a very remote period of antiquity.
The moderns, however, have brought it to a perfection never
dreamed of by our thick-headed progenitors. Without pausing to
speak of the “old saws,” therefore, I shall content myself with a
compendious account of some of the more “modern instances.”
Public-domain text, read in full here on John Shaqi.
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