The Works of Edgar Allan Poe — Volume 5Poe, Edgar Allan
General
The Works of Edgar Allan Poe — Volume 5
Poe, Edgar Allan
American fiction -- 19th century; American poetry; Fantasy fiction; Horror tales, American
I believe the name “Hop-Frog” was _not_ that given to the dwarf by his
sponsors at baptism, but it was conferred upon him, by general consent of
the seven ministers, on account of his inability to walk as other men
do. In fact, Hop-Frog could only get along by a sort of interjectional
gait—something between a leap and a wriggle—a movement that
afforded illimitable amusement, and of course consolation, to the king,
for (notwithstanding the protuberance of his stomach and a constitutional
swelling of the head) the king, by his whole court, was accounted a
capital figure.
But although Hop-Frog, through the distortion of his legs, could move only
with great pain and difficulty along a road or floor, the prodigious
muscular power which nature seemed to have bestowed upon his arms, by way
of compensation for deficiency in the lower limbs, enabled him to perform
many feats of wonderful dexterity, where trees or ropes were in question,
or any thing else to climb. At such exercises he certainly much more
resembled a squirrel, or a small monkey, than a frog.
I am not able to say, with precision, from what country Hop-Frog
originally came. It was from some barbarous region, however, that no
person ever heard of—a vast distance from the court of our king.
Hop-Frog, and a young girl very little less dwarfish than himself
(although of exquisite proportions, and a marvellous dancer), had been
forcibly carried off from their respective homes in adjoining provinces,
and sent as presents to the king, by one of his ever-victorious generals.
Under these circumstances, it is not to be wondered at that a close
intimacy arose between the two little captives. Indeed, they soon became
sworn friends. Hop-Frog, who, although he made a great deal of sport, was
by no means popular, had it not in his power to render Trippetta many
services; but she, on account of her grace and exquisite beauty (although
a dwarf), was universally admired and petted; so she possessed much
influence; and never failed to use it, whenever she could, for the benefit
of Hop-Frog.
On some grand state occasion—I forgot what—the king determined
to have a masquerade, and whenever a masquerade or any thing of that kind,
occurred at our court, then the talents, both of Hop-Frog and Trippetta
were sure to be called into play. Hop-Frog, in especial, was so inventive
in the way of getting up pageants, suggesting novel characters, and
arranging costumes, for masked balls, that nothing could be done, it
seems, without his assistance.
Public-domain text, read in full here on John Shaqi.
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