The Works of Edgar Allan Poe — Volume 5 — John Shaqi
The Works of Edgar Allan Poe — Volume 5Poe, Edgar Allan
General
The Works of Edgar Allan Poe — Volume 5
Poe, Edgar Allan
American fiction -- 19th century; American poetry; Fantasy fiction; Horror tales, American
Owing to the high combustibility of both the flax and the tar to which it
adhered, the dwarf had scarcely made an end of his brief speech before the
work of vengeance was complete. The eight corpses swung in their chains, a
fetid, blackened, hideous, and indistinguishable mass. The cripple hurled
his torch at them, clambered leisurely to the ceiling, and disappeared
through the sky-light.
It is supposed that Trippetta, stationed on the roof of the saloon, had
been the accomplice of her friend in his fiery revenge, and that,
together, they effected their escape to their own country; for neither was
seen again.
THE MAN OF THE CROWD.
Ce grand malheur, de ne pouvoir être seul.—_La Bruyère_.
It was well said of a certain German book that “_er lasst sich nicht
lesen_”—it does not permit itself to be read. There are some
secrets which do not permit themselves to be told. Men die nightly in
their beds, wringing the hands of ghostly confessors and looking them
piteously in the eyes—die with despair of heart and convulsion of
throat, on account of the hideousness of mysteries which will not suffer
themselves to be revealed. Now and then, alas, the conscience of man takes
up a burthen so heavy in horror that it can be thrown down only into the
grave. And thus the essence of all crime is undivulged.
Not long ago, about the closing in of an evening in autumn, I sat at the
large bow window of the D—— Coffee-House in London. For some
months I had been ill in health, but was now convalescent, and, with
returning strength, found myself in one of those happy moods which are so
precisely the converse of _ennui_—moods of the keenest
appetency, when the film from the mental vision departs—the
αχλυξ η πριυ
επῆευ—and the intellect, electrified,
surpasses as greatly its every-day condition, as does the vivid yet
candid reason of Leibnitz, the mad and flimsy rhetoric of Gorgias. Merely
to breathe was enjoyment; and I derived positive pleasure even from many
of the legitimate sources of pain. I felt a calm but inquisitive interest
in every thing. With a cigar in my mouth and a newspaper in my lap, I had
been amusing myself for the greater part of the afternoon, now in poring
over advertisements, now in observing the promiscuous company in the
room, and now in peering through the smoky panes into the street.
Public-domain text, read in full here on John Shaqi.
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